Posts tagged Rock
The countdown continues with the Top 10 Albums of 2014…
10) Weezer – Everything Will Be Alright In The End
After all this time Weezer are still a good as ever on their latest LP. Looking backwards to blue In a good way, focusing on those fabulous understated college pop melodies, cool for being uncool vibes and as ever their dash of special doo-waah hooks. Packed with witty and self mocking lyrics, it’s also quite a fun listen also. But with chorus’ like these, destined to be stuck in your head all day, It’s not surprise it’s been such a success!
9) Marmozets – Weird & Wonderful Marmozets
Like a true abstract collage of pop, math, metal and punk all on a broad canvas of youthful energy and disregard for the rules….this is perfect modern rock! Erratic swerves from all out aural assaults to complex technical riffs, scything synths, pop punk gang harmonies and spiteful screeches. Also shows huge songwriting potential on some impressive piano rock balladry too. Exciting new talent which like to push the boundaries.
8) The Smith Street Band – Throw Me In The River
Akin with Frank Turner or Hold Steady verbosity, The Smith Street Band’s latest is steeped in poignant, poetic and passionate lyrics. Lines you sit learn and scream out at live shows like nothing else exists. A spectacle of raw honest, open hearted tales both world-weary and awestruck that captivates from the first line to the last chord. All the while the ever melodic alt rock back-flips from dour picked strings to all out thrash outs via exuberant melodies almost as impressive as the vocals. Truly Captivating!
7) Grand Magus – Triumph & Power
Triumph & Power is as collosal as rock gets. Evoking images of Vikings plundering the frozen wastelands of Scandinavia, knights riding to death or glory and scenes of epic battles past. Galloping riffs, giant melodies and a knack for catchy chorus’ only serve to elevate this above 2014’s kings of hard rock.
6) I Am The Avalanche – Wolverines
Wolverines is a rampaging pop-punk record with gnarling flashes of hardcore punk coursing through its veins. Encapsulating this vibe are the stand-out vocals which soar and snarl in equal measure, howled with real intensity and vigour throughout. Emphasis here is on all out punk attach with a clean polished punk rock sound with all the pop boxes ticked for good measure. Huge sing-a-long chorus’s, Check. Simple but effective power chords, Check. Enigmatic vocals, check. Gang Wow-ohhs, check. A packed LP of fist aloft anthems, waiting for widespread appeal!
5) Cloud Nothings – Here & Nowhere Else
Clocking in at a blistering 31 mins 24 secs the raggedly lo-fi garage punk of Cloud Nothings barely stops for breath. Exhausting energy bounds throughout charting the demise of a relationship is one of the most openly honest lyrical outings this year. Despite this, it has to go down as one of the most high octane breakup records ever penned. Lightning punk strikes, exhilarating drumming and machine gun lyrics fuel what’s a true out of control joyride of indie rock prowess. Uncontrollable but unstoppable!
4) Destrage – Are you Kidding Me
Destrage mix a unique concoction of Diamond tipped metalcore, off kilter math riffing, punkish tempo’s and accelerating and twisting melodic phrasing brings the most eclectic explosions of 2014 (occasionally all within the same song). Dance and dub heavy electronic surges and erratic tempo changes makes this album totally unpredictable, shifting from politically charged acid tongued vitriol to big chorus’d melodic chaos punk. Can be pretty heavy in places but the screams and the cleans are both do well balancing anger and enigmatic qualities. Whilst varied, the album is (somehow) cohesive and the fun/crazed lyrics (“We shoot zombie’s in the face” anyone?) match the unrestrained vibe of a band at a creative peak.
3) Black Pistol Fire – Hush Or Howl
Two men, One Guitar, One Drum kit. the simplicity and effectiveness of execution which elevates this retro garage blues ablum above the pack this yeat. Doing Blues soaked rock better than anyone else like a former White Stripes or once a Black Keys these guys have enough vintage vibes crossed with an abundance of corking riff heavy tunes to make his a rip roaring bonafide modern blues classic.
2) Märvel – Hadal Zone Express
Above all else Marvel’s latest has brought the most whimsy and fun to 2014’s rock roster, harking back to the glory days of the 70’s hard rock of Thin Lizzy and the garage rock revivalists of the early 00’s. A pure pop rock album infused with rock and roll blood pumped along at a fair gallop. Focused upon creating inventive but addictive riffs and a constant stream of singalong songs means Hadal Zone Express both excels in rocking hard and captivating the popular ear. Beware the Danish Rush as these (gimp-esque) masked Scandinavian retro rockers are coming for you too!
1) Johnny Foreigner – You Can Do Better
Whilst not breaking their scatterbrain indie rock mould, JF have produced their most consistent and enigmatic album of their career to date, Mixing the melodic musings of Wifi Beach with the ramshackle riff-meisters of Shipping, there is so much to fall head over heels for. Never a dull moment as each song ducks and dives in its unique JF way where noisy clattering guitars somehow combine to form addictive melodies. The JF boy/girl duelling vocals again are both sweet, smooth and edgy highlighting the irreverent but addictive lyrics. A heady and pulsating adventure in indie-rock which has climbed to the top of the 2014 DiR.net mountain.
That’s all folks…2015 here we come!
I’ll be honest, I checked out a far more music this year than usual in search of the album which would to the top of this countdown. But there was a distinct lack of big hitting rock monsters from an established artists, with disappointing releases from Black Stone Cherry, Foo Fighters, The Gaslight Anthem, F**cked Up ,Death From Above 1979 but to name a few, has typified my year. However that has given the Album of 2014 list a more diverse feel to it which is never a bad thing. The albums which have made the grade have done so with high praise from DoesItRock HQ.
Without further ado I present this 2014’s DoesItRock.net Album of the Year countdown. (As usual free from critical sneering and driven purely by honest love of guitars, drums and voices.)
EP/Mini-Album) Hey Vanity – Blindfolds
Chelmsford based Post-Hardcore rockers released their first mini album after last years promising EP. Standing out from the crowd, they mix challenging riffs and razor edged guitars with stunningly catchy pop hooks.
25) Toseland – Renegade
Former Superbike World Champion James Toseland turns his hand to rock by fronting his own hard rock band. Turns out he’s got a damn good rock voice. Backing this up with some tasty riffs and pop slanted melodies this album was an unexpected treat. Not exactly original and lyrics are standard fare, but they do rock pretty hard!
24) The Datsuns – Deep Sleep
The Datsuns whilst still lighting the classic rock canon have changed the fuse and gone Sabbath. Still packed with fuzz packed, riff heavy garage rock and roll but this album is darker in mood and tone. Such marked progression from a retro rock band is rare, hence it’s being celebrated here.
23) Orange Goblin – Back From The Abyss
Thirsty for riffs? These lumbering Stoner Rock mammoths deliver a earth shattering set of monster amp maxing anthems packed with pure guitar power. Uncompromising whilst retaining the accessible vibe of uplifting rock anthems. Worth thumping the head for!
22) Blues Pills – Blues Pills
Of all the current new wave of old retro rockers Blue Pills are by far the most dynamic and unique. Taking raw production values and a youthful vigour for blues they meld boisterous energy and drifting psychadelia to mind spiralling effects. At their best when flicking between loud/soft and slow/fast all whilst blasting our rawkus guitar licks and seductive vocals.
21) Slash – World On Fire
The legendary behatted Gibson Les Paul slinger returns with the greatest rock vocalist of a generation Myles Kennedy for another adrenaline fueled romp through the classic/hard rock songbook. Loads of quality riffs and guitars driving huge chorus’ as you would expect from 2 men on top of their games. But there’s too much slash being slash genericism for this to place higher, plus its waaay to long as well.
20) The Brew – Control
A concept album from this hard working British blues band tips the right scales on their latest album. Pop laced rock numbers with supremely catchy melodies and guitar hooks aplenty. Honest, addictive with true swagger and style. Amazingly its also recorded LIVE!!! Control throws of the shackles of overproduced rock and blasts out raw powerful rock and roll!
19) The Treatment – Running With The Dogs
Hard Rocker’s The Treatment’s latest album is packed to the rafters with pop friendly chorus’ and killer guitar hooks. Snarling vocals, thunderous riffs, and bold steamroller energy reinforces their status as once of the best new classic/hard rock bands in the UK. Running With The Dogs is more radio friendly than their debut, but this doesn’t hinder this a stellar set of headline grabbing tunes which have grown into some of my favourites this year.
18) Audrey Horne – Pure Heavy
Exactly what it says on the cover, Pure Heavy! For their latest album these Norwegian rockers went all traditional metal with some startlingly good results. Songs are driven by diamond tipped melodies and huge booming chorus’s. Huge array of upbeat, uptempo and romper stomping anthems sure to set pulses racing!
17) Joe Bonamassa – Different Shades Of Blue
The premier blues man of the 21st century delivers yet another brilliant addition to his growing back catalogue. This is a more traditional LP, laced with soul, heartbreak and plenty of rhythm n’ blues to match. Guitar workouts are less prominent, allowing the fully backed songs to shine for themselves. One thing is for certain, the blues will never fade away while Joes’s in town!
16) Royal Blood – Royal Blood
Hype machine finally tunes into rock.fm! This Brighton duo produce some of the dirtiest bluesy riffed hard rock under the guise of cool scenesters, following in the trail og bluesy rockers previous Black Keys & White Stripes. The real winner on this album is the Production. Royal Blood pump out a magnificent racket which emanates stunning super-power from every conceivable angle. Whilst not the most inventive or best big scuzzed up rock around, it certainly the most stylishly polished.
15) Antemasque – Antemasque
Latest incarnation of alt rock legends Omar Rodríguez-López and Cedric Bixler-Zavala, sees them strip away all the unnecessary indulgences and focuses on high tempo, high impact punk infused rock. Antemasque married tight indie-rock songs with enigmatic vocal hooks, off-kilter clanging guitars and a knack for a nifty melody or two. A total change in direction from Mars Volta’s excesses, but elements creep back to keep us on our toes to ensure this is anything but a dull listen.
14) The Hold Steady – Teeth Dreams
Everyone’s favourite bar band is back to doing what they do best, weaving shaggy dog stories in and out of their melody-centric rock songs. Songwriting are every bit as good as ever, leaving you tied to the lyric book for the next quotable line. Bringing the focus back onto the harmonies and chorus’ has paid dividends as this is a return to their early career highlights.
13) Mean Creek – Local Losers
Indie rockers Mean Creek know how to write classic pop ditties and clearly also know how to throw caution to the wind. Its the intersection of the frenzied indie rock attack, punked up guitars, pop melodies and sugary sweet girl/boy vocal harmonies ensure a headline grabbing sound. Local Losers is a real rapid fire album of short sharp addictive tunes which breeze past leaving you humming them all day.
12) Manchester Orchestra – Cope
Manchester Orchestra’s twee indieness has been well and truely shattered with this “their big rock album” which succeeds with self-confident swagger at odds to their more normal introspective/subdued standards. The template is clearly let’s make Pinkerton 2.0, it almost a succeeds too! A combo of hulking indie rock noise, wailing guitars and tight insistent melodies is truly fantastic. I’m a fan of their new rawkus direction, but it won’t stay long seeing as the companion acoustic version LP Hope” is already out.
11) Against Me – Transgender Dysphoria Blues
The punk bands first outing after the outing of lead singer Laura Jane Grace (Tom Gabel) is a very important record. Bringing LGBT issues to the fore in an open, honest and raw way with Laura’s rough vocals opening a window into her former/new life. The fact that it’s wrapped in Against Me!’s usual pop heavy vocal harmonies and driven by some damn catchy upbeat rock numbers keeps you coming back for more. Transgender Dysphoria Blues is about as punk a record could be in 2014!
Stay tuned for the top 10 (sometime soon…..)!
27th March 2014
Heaven’s Basement finally have found a rich vein of success and their headline show at The Electric Ballroom way back in March underlines their new found popularity. Their support came from a mix of sleaze glam hard rockers The Dirty Youth, who impressed with their melodic guitar work and big vocal hooks in the short time they were around.
Glamour of the Kill, post-hardcore noiseniks did plenty to upset the hard rock theme and brought the metal edged nastiness. Razor sharp riffing and abundance of electro backings they surely entertained, but sadly lost marks for fairly average vocal efforts. At their best when straddling the line between metal and melody.
Heaven’s Basement were as impressive as ever. I liked their staging whereby their relatively short singer/lead guitarist were up on pedestals for all to see, adding that extra bit of pro-polish and entertainment value.
Playing a mix of titanium edged guitars with a increasingly heavy outlook they truly rocked out. Combining their fast and heavy elements with their knack for Pop melodies and huge hard rock riff brings out their best.
Vocalist Aaron has grown in confidence and is now a true front man with a great stage presence.
13th December 2013
The final show of 2013 was a real riot, a line-up packed with stars future and present mixing up the sub-genre’s but providing their own slant on high octane rock.
First to stake out their claim, was the brash and rising young hard rockers The Treatment. Their set was a blast of power, guitar licks and melody flashing nifty moments of soloing prowess in a mix of big chorus’, thumping rhythms and a driving tempo. Their new material was ok, I Bleed Rock & Roll being the pick of the bunch, while the rest was difficult to connect with seeing this was the first airing. Melodies seemed to be there but they lacked the familiarity of the older repertoire which brought many more fist pumps from the sizable early crowd. Their stage act is slick, enthused and engaging which cannot be faulted (except for the stature of their bassist which seemed to irrationally irk fellow DiR man The Docktor). I wait with baited breath to see what the album has in store.
Orange Goblin were next out, they wasted absolutely no time is obliterating any chance of being able to hear anything the next day. Their muscular and lolloping Stoner Rock cut huge swathes of gigantic riffage out of the mire of fuzz and astounding aural plunder. With sweat, dropped tuned guitars and long hair as standard they came, they saw and the conquered with their mega-sound. Having been about for a long time, many tracks were unfamiliar, but their blues based guitar licks never failed to impress. Vocals however (as with many live rock leviathans), were drowned and pulled helplessly into the whirlpool of noise. Hypnotic repetition failed to interest The Docktor, who was still reeling from the strength of his opinion on the first act. A defiantly different approach, but no less entertaining.
Finally we arrived at the headline act, Airbourne, who have climbed to the upper echelons of Rock Mountain with effortless ease. A task made much easier by their standing on the shoulders of Rock Giants Ac/Dc. Tight and powerful rhythm guitars with a packed arsenal of dangerous riffs fronted by an equally perilous leader who seriously put his body on the line each and every night, tonight was no exception. From cracking open beer cans on his head (both macho and stupid), riding around on shoulders in the crowd and climbing to the balcony (both while continuing to blast out captivating guitar solos) the Joel O’Keeffe circus has an abundance of tricks.
Showmanship of the highest order keeps the crowd fixated throughout despite when songs seem to start merging together with their similar melodies. No questions asked, Airbourne were born to rock, as they ride each huge track from their pulsating opening riffs through rollicking and romping tempo’s to their cataclysmic crescendo’s. Simple and loud, their beer swelling party ethos and daredevil antics are the kind of rallying cry for all men to join and party, beers and fists aloft.
Standout tunes were mainly the slower grooves which sparked huge sing and bounce-a-longs (yes, the elder crowd were jumpin’ too) such as No Way But The Hard Way, Back In The Game and Too Much Too Young Too Fast fitting this particular billing. New album material went down well, mainly because it rather similar to all their previous records. While variety was in short supply, you cannot fault Airbourne for doing what they do best, putting on the best rock and roll show the world has ever seen! Tonight, they did just that!
I’ll be honest, a get together of the DoesItRock motley crew for ages took precedence this evening, resulting in a later than planned entry to the Electric Ballroom this eve. Forgetting about the ridiculously early kick out times of venues with Friday night club nights, we were instantly greeted to the swell of anticipation at the arrival of the Black Spiders.
After being the only high ranking band in my top listen charts that I haven’t seen live, It’s fair to say I was excited. So they came, like hard rock behemoths they swooped and plundered riff after riff and terrorizing the audience with their macho Marshall/Gibson combo rock sound.
It was a shame then that after the release of a new album that they stuck to this material like glue, never venturing 2 or 3 song from its track list before coming running back again I guess after years of touring the same material they wanted to get their new stuff out there.
The new songs were flooded with guitars and quite often drowned out the vocals, whilst the chorus’s didn’t quite have the sing-a-long nature or immediacy of album one tunes. The highlights including the super heavy Motorhead style thrasher Teenage Knife Gang their ode to a late night stroll in Croydon Trouble and the power punching opener Knock You Out.
When the past beckoned it was clearly a cut above the rest on the sedate but infectious run through of “KISS Tried To Kill Me, the romper stomping mammoth sing-a-long of St. Peter and the carnage causing wind up and release of What Goods A Rock Without A Roll.
On the whole though it was the slower groovier sluggers which took most of the DiR praise, mostly because of the big chorus lines which gnawed into your head until you were singing like everybody else. I’m glad to have finally seen them, but given the pedestal I’d put them on before they struck a chord, it was going to be tough to match.
19th August 2013
Stoner Rock Floridians Torche made the trip across the pond to bring their refreshingly pop-centric brand of heaviness to London. Some UK support band were up first, it was a mixed bag.
The Jerks were a simple duo who eminated a sense of normality, right down to the attire and jam style interplay. They really just seemed to be having a great time, which in itself is a crowd pleaser. They played a ramdon brand of fuzzy rock with spasmodic time signatures and tempos. Never the same for more than a minute they were tricky to keep track of, as they bounded on giddying gallops one moment to laborious plunders the next. A surprise package which was a early treat.
If The Jerks were a bit random, then the Dundee based sub-headliners Fat Goth had to fight out of their strait jackets to get here tonight. They played a combo of deep chugging noise riffs all with undercurrents of very technical mathy fret runs and off-kilter melodies. They were mesmeric and hard to ignore, no matter which angle they decided to take. However when the vocalist opened his mouth it fell apart. Comical (and creepy) voices such as cowboy, falsetto’s, girly yelps and spoken words meant I felt embarrassed for the guy. Entertaining, yes…but in the way that’s really cringe worthy. Totally random and superbly enthralling, although not sure if its for the right reasons though.
With the main event imminent, Torche lined up with a towering statue. With the lights set to darkly and mysterious with flashes of ambient they begun the onslaught of the senses (I say senses, I mean hearing). Unfortunately the sound stampeding from their Orange amps was really awful. Whether it was a poor sound check we’ll never know, but the first 3-4 songs were blur of amp buzz and slurred riffs which have no bite or distinguishing melodies.
This was never truly rectified and it was only on their more uplifting singles did the crowd really start to get behind them. Set highlights which did match expectations were the boulder thumping riffs of Kicking and the frenetic energies of Walk It Off restoring my faith in their sound.
Rarely am I as disappointed as tonight, but when technical issues take a firm hold it’s hard to wrestle back control.
25th October 2013
Abandoned for the night I head alone into the electric ballroom with trepidation. Only to be greeted by a bunch of howling guitar slinging Aussies! Business as usual then! Tracer we’re good value go their sub slot tonight and played with the swagger of a headliner with nothing to lose. Thumping guitars riddled with hard blues fuzz gave them more of an outback stoner sound akin to QoTSA than fellow hard rockers acdc and Ac/Dc Jnr (Airbourne).
Plenty of heavy toe tapping drop d riffs and a fare dose of sing-along sections which had even the stoniest faced onlooker humming the in a joyous crowd chant. Plus they were good at working the crowd too, plenty of jokes and japes all with that cheeky Oz charm. A startlingly good set from a band I’ve not given enough credit till today!
Following the desert beer swilling fist pumping rock fest of Tracer, The Answer had much to prove, especially s Ii hadn’t yet spun their new album New Horizon.
I had need not worry despite them kicking off with the new eponymous title track as it was roof raising. Full of sparkling melodies, driving bluesy rhythms and supersonic vocals…all the best The Answer has to offer.
With brilliant delivery of new material and great clear sound they didn’t seem to want to do much else. In fact between this and their debut album, this accounted for what felt like 90% of the set. I’ll never complain about hearing golden oldies again, but it did feel like I was trapped in a time warp. Familiar also was their double header renditions of bluesy and soulful Memphis Water and Preachin’. Both put a very rootsy spin on classic rock and blues but clocking at 15mins between them, I’d rather have heard 3 or 4 other tunes (No New Day Rising…sad face).
Not to wholly disappoint on set listing, On and On and Under The Sky were aired with aplomb, as 2 of the best hard rocks songs in the game. The best song of the night however was a really beautiful mellow and vocal heavy reworking of Nowhere Freeway, a moving and beautiful power semi-ballad. Brilliant solos, extended jams, crowd walks, ‘all sit down’s and thunderous guitars made to fling your noddle to is what they do best. Playing blues and musicianship is high on their agenda which despite the extended noodling, The Answer are still the class prefects of the new school (of the old school) of classic rockers!
23rd July 2013
After a rip roaring outing at the Monto Water Rats many years ago (Over 7 years ago now, wow), I could not resist the lure of The Thermals once more. This time they come after a couple of poppier LP’s laying back their sound, would their show be equally electrifying? The support tonight came from Slowcoach. After 6 months has elapsed, it turns out I have no recollection of the performance or their sound, which in itself is evidence in its own right.
The Thermals however left another rampaging wake in my memory with their blistering indie punk which belies their relatively polishes LP’s. Each song was a short sharp burst of energy, played with buzzing fuzz guitars and romping bass lines, enough of which have memorable pop chorus’s to keep the crowd happy. Alongside their true rock out moments which sparked crashing bodies to fly this was a balanced set of songs from old aggression, recent fine melodic moments all delivered with bursting enthusiasm.
Set highlights includes the recent return to fine rock out form “Born To Kill”, slow melodic bounder “Never Listen To Me” and the terrifyingly brilliant assault of “Here’s Your Future”.
The advancing years have not taken any toll on The Thermals, plus there’s no sign of them slowing down any time soon either.
18th July 2013
***Playing catch up on the review front…memories are hazy at best…Pics AWOL***
One of the less widely known buzz bands of the past few years made the trip to London in the summer for a rather intimate outing in Camden in support of their latest album Celebration Rock. Mr Flowers and I were in the venue early and caught their support act The Wytches.
Their inoffensive indie rock was jaunty and light. Mr. Flowers was suitably impressed with their style and tunes, their underground lo-fi’ness an attractive attribute (henceforth shattered by their rise over the last 6 months). For me however it sounded like every other indie band who seem to all share an effect pedal/rig harking to surfy 60’s guitars packed with reverb which lacks in punchy tones (I think they all must use the same one on timeshare). Still young and with far to go they get a half thumbs up from doesitrock.net on this occasion.
Japandroids are not your typical indie rockers, they are a power duo who like to play rawkus noise rock, yet want people to sing along too. This was all in evidence this evening as they started their aural assault kicking head splitting drums and amping up layer of fuzz, over overdrive, over fuzz, over overdrive etc… Their thumping melodies were only matched in stature by their towering chorus’ from their latest LP.
Standout moments included the rampaging Evil’s Sway and the summery sprinkled chant vocals of The House That Heaven Built. The venue was packed and crowd in fine voice throughout generating a buzz of its own all night.
With just guitar and drum kit it’s hard to be truly diverse, where on occasion they suffered from repetitive riff syndrome on their lesser known album tracks. But with enough cannonballs in their arsenal there was plenty enough bombardment of fret board firepower to keep us happy, ranging from chugging punk strikes to chimed high notes providing the backdrop for the effect heavy vocal howls.
Tonight Japandroids showed themselves to be a star band, deceptively big and heavy despite their pop angles and love of a huge sing-a-long melody.
Once again I headed once again to the spiritual home of Rock, Donington Park for a stunning lineup to listen and capture some eclectic up-comers, resurgent groups, underrated rockers and true megastars taking influence from the entire spectrum of the rock/metal clenched fist.
I took some photos and watched some bands, here’s the day in brief…
Stood still for the camera, which was more to do with their advancing years. Proper classic rock still sounds good to these ears.
Highlight: Storming rendition of Doctor, Doctor
Finally the band we have been trumpeting here at DiR.net for years have made it onto the first rung of the ladder, destination rock rocket to the top. They truly ran rampant on huge stage and I loved every glorious minute of this power packed energetic set of high attitude modern rock and roll. Huge crowd and fantastic reception…the general public seem to now agree with me! Sure to rise and rise on from here.
Highlight: The band’s remarkable display of happiness,astounded that so many people actually turned up, each rewarded with a huge version of Executioners day!
Swedish sleaze glamsters clad in objectionable outfits came and conquered the utterly terrible weather which saw 2 huge downpours deposited on the crowd. Despite this their upbeat party anthems and fist pumping punk rock tunes provoked much singing in the rain and dancing in the aisles.
Highlight: ‘We Don’t Celebrate Sunday’s‘, sparking a massive sing and dance along in the middle of a torrential soaking. it was a case of “c’mon skies, is that all you got!”
Black Star Riders
Ricky Warwick and the remains of the Thin Lizzy crew were back again this year under their new moniker with a set of (oddly enought) Lizzy-esque rock tunes which could be easily be plucked straight from the 70’s legends. Throw in some greatest hits such as Jailbreak, Boys Are Back In Town, Rosalie and another rain defying epic Whisky In The Jar…their set was a absolute pleasure from the first rings of Scott Gorham’s guitar to the final note of Wawick’s Lynott lined lungs.
Highlight: Whisky In The Jar getting a field full of old drowned rats jumping around like youthful loons in bright sunlight.
With dark clouds looming and a mist like patter of rain descending over the 2nd stage, there was no better atmosphere for my next band, the black metal titans, Katatonia. Their dour gloom, huge guitars and soulful clean vocals cut a lonely figure which crashed wave after wave of sorrow into the skies. Yet somehow there is a glimmer of hope running through them which is hard to pin, melodic and beautiful, a unique set.
Highlight: The Parting’s soaring vocal section, juxtaposed against their deep earth excavating riffs.
Aussies Karnivool were here to make a statement that Progressive Rock/Metal still reigns, on a performance like this its hard to disagree. A dazzaling assortment of melodies and sounds, given punch with sparse but crushing overdriven guitars and bound together with the beautifully fragile and powerful voice of front man, (one of my favourite vocalists). His emotive and distinct vocals were just as good live as it cut like knife through the gathering booming soundscapes. A pause for thought and refelection, but unmissable nonetheless.
Highlight: Simple Boy and its xylophone melody giving way to a stonking deep 7 string bass riff machine
Being a hell of a long way back I could only pick out a few cool riffs here and there, time to exercise the zoom lens.
Alice In Chains
A faithful following swarmed around the main stage for the return of these heavy grungers. New material from their comeback albums were typified with some pretty awesome bass riffs which had the hard rock crowd salivating. Vocals from DuVall/Cantrell were as good as expected, not overplaying but leading charged singalongs on their biggest hits Rooster and Down In A Hole. Despite the lyrical subject material they sounded uplifting and this well rounded set of loud and soft moments really impressed.
This was not their finest outing, plenty of really old and obscure tracks had the faithful worshiping and the classics were all here too. Nothing out of the ordinary, but still you can’t mess with Motorhead, neither would I recommend it.
Queens Of The Stone Age
A newly re-invigorated QotSA were here today, which marked one of the best sets of the day. Equal measures of high quality, heavy desert stoner drawn from the latest album and Fuzz driven upbeat dance rock from Songs From The Deaf, they stuck to the formula which has brought them so much success. Their greatest hits were all aired and picking the more melodic and high octane tracks really pumped up the crowd. A fitting warm up for the epic headliners to come.
Highlight: Little Sister, where the guitar solo and thumping bass line collide, caused carnage.
When you can commission a flypast from a WWII Spitfire to start your set off with a bang, you are clearly in for something very special. Their ‘Maiden England’ tour was a success on its first outing, today its reprise was just as epic. Triple Guitar attack and a greatest hits set spanning their best albums this was a blast from the past which has endured its time and is clearly still as popular today. Pyrotechnics, flames, fireworks, costume changes, a 20 ft Eddie, plenty of British & war imagery was all part of the elaborate staging which was just as absorbing as the music on offer. The crowd were in full voice and knew every word coming from Bruce Dickinson’s falsettos vocal chords. A magnificent performance from a band who has been doing this size show for decades! A Superb Show!
Highlight: Fear of The Dark, with the entire crowd bellowing the opening riff a Capella.