Posts tagged Pop
Album Review: Foxy Shazam – The Church Of Rock And Roll
Jan 25th
How does the follow up to doesitrock.net’s 2010′s Album of the Year shape up in 2012?
Foxy Shazam – The Church Of Rock And Roll
RockOSaurus Says:
Foxy Shazam have taken their foot off the gas on their latest LP, leaving post-hardcore and rip roaring glam-rock sprawled over the trail. Hence it’s no great shock to hear that their latest album curbs the highly energised oddball glam-pop prevalent on releases. As a result the tempo has been significantly reigned. Yet they have made up for this by producing a fine collection of super sing-a-long pop classics with eclectic songwriting and equally varied melodies.
This slackening of pace has given their melodies a chance to sit back, take a breath and enjoy the spotlight. Resulting in a much more focused pop record that falls ever further into the Mercury valley of Queen with its accompanying classic rock guitars and jaunty piano’s circling ‘The Church Of Rock and Rolls‘ vocal centric ideal. The Churchy theme is prevalent throughout with the recurrence of religious track titling, soulful Gospel backing vocals and confessional lyrics (see ‘The Temple‘, ‘The Streets‘, ‘Forever Together‘ respectively).
From the instant the guitars properly kick in, it’s clear as day that Justin Hawkins has played a huge part in his role as producer. The guitar tone is almost identical to his in-limbo band Hot Leg, no bad thing as it’s just so stonkingly rock and roll! The Hawkins brothers influence doesn’t end there either. The Guitar work on the excellent driving rock anthem ‘Last Chance At Love‘ could easily be a lost forgotten The Darkness classic, especially when Nally lift his fine falsetto skywards…it’s strikingly similar, yet definitely different.
Throughout this record the vocals are the centrepiece, with Eric displaying a fine range of smooth croons , anthemic chorus lines and window smashing pitch changes. Maintaining innovating melodies, rarely sticking to a certain style, or mood, or instrument ensures this album never gets tiresome as it’s forever on the move. Exhibit A, Holy Touch: a big gospel romp-a-stomper, Exhibit B, Wasted Feelings: full of dynamic guitars, cool vocal effects and trumpets, Exhibit C: I Like It: vocal centric with bombastic melodies.
So a more laid back Foxy have re-surfaced, but all the delightfully odd characteristics, bonkers eclecticisms and natural born melody making abilities that made them so addictive in the past, are still here for all to enjoy. My only gripe would be the final few tracks do not stand up to the quality of what came before it.
TCORAR is first and foremost a great little pop record, with hard glam-rocking tendencies spontaneously wrangling for the control switch. An early treat for 2012!
DoesItRock Overall Score: 8.5/10
Listen to Foxy Shazam – The Church of Rock and Roll now on Spotify!
Frank Turner @ Hammersmith Apollo
Jan 7th
27th November 2011
Two very different acts were in the supporting bill this evening, one mellow one manic! The beautiful Aussie folk of Emily Barker and the Red Clay Halo was up first. 4 striking ladies stood caressing evocative melodies from their instruments of choice. Most combinations of cello violin and guitar and voices are bound to be harmonious and these girls were no exception. Their catchy little tunes were rather good easy listening ditty’s, pleasing all the plus ones in the house (of which there were many). The second support was a swing in the opposite direction, towards Turner’s younger anarchic punk days. Not one for the faint hearted/un-initiated.
Emily Barker & The Red Clay Halo
Against Me! proclaimed as one of Frank’s most idolised punk bands came out kicking and screaming with all gun blazing making one hell of a guitar fuelled storm. Their recent records have been polished pop rock efforts with soarer chorus’s…tonight it was back to their punk roots as they barely took breath between songs all night. They crammed an improbable amount of high octane material into the set, providing a rockin’ runaway train which never stopped a rollin’.
Their fast, loud and loose ethic was the polar opposite of Barker that initially only engaged the hardcore punk fraternity stage front. By the end, even those plus ones were toe tapping (well some of them…generally while covering their ears).
As this is the fifth time of watching Frank, You would think I’d pretty much covered all of what he has to offer. Granted the usual courageous chorus of crowd voices singing every word was here in full force, as was his beautifully honest sentiment and superbly arranged live versions. For tonight I’m focusing on what was different and new in his repertoire, the evolution which keeps his band of followers coming back for more.
Not content to sit back on his laurels frank has continually improved his shows and his songs. He aired a new unreleased song called Cowboy Chords just because he thought it was time to play it. It was an emotional and sparce tune set to one acoustic guitar that showed off his prolific songwriting spirit and desire to play live music! His reworking of old tune Fathers Day was beautifully poignant and desolate, more in line with the sombre lyrical content.
Frank Turner
As expected he plucked a fair few tunes from his latest album, songs which were destined for venues such as this. Huge arrangements of multi-instrumental melodies were frequently backed by Emily Barker and the Red Clay Halo adding a soft backing chorus of sweet vocals. Against Me! Even joined in on Franks atheist gospel song Glory Glory Hallelujah. This song was probably the biggest polarising point of the night. His spirited speech on religion (or non-religion in his case), was rather preachy, almost as if he was here to convert the fans to his beliefs.
He told us of him sitting outside on the steps of this very venue, dreaming of playing it one day. Usually this ‘I was like you’ nonsense is nothing more than a ploy to get the crowd in their corner. But with Frank I am absolutely inclined to believe him. He does not mix his words, and the ones he chooses are straight from the heart. He came…he rocked…he conquered Hammersmith.
Albums of 2011: 10-1
Jan 1st
It’s time to complete the countdown of DoesItRock.nets favourite albums of 2011…
10) Mastodon – The Hunter
Prog metal kings Mastodon’s latest LP is by far their most accessible, weaving a path of destruction though chunky heavy metal grooves, gorgeously powerful backdrops and infectious melodies. The mix of super smooth clean lyrics and snarling tongue lashings are superb as each track flips from lightning fast metal riffs to thunderous hard rock in an instant. Mixing up their sound with meandering prog-outs, straight laced rockers and metal assaults this album has much to offer all music lovers. Simply put, there was no better metal in 2011.
9) The Treatment – This Might Hurt
Ok, so technically this is a re-issue. But it is very rare that you get a chance to make amends for overlooking an album within its release year. Bolstered with a handful of brilliant bonus tracks, This Might Hurt screams like Aerosmith, drinks with Gun’s n’ Roses and parties like Motley Cru. Good old fashioned rock and roll is safe in their hands as they combine huge Marshall backed riffs with classic rock solo’s and catchy ass vocals. If you’re looking for a big time rock and roll album of head banging, balls to the wall and drunken debauched anthems. The Treatment are all the medicine you need!
8) Frank Turner – England Keep My Bones
Frank’s Turner esquire, punk poet laureate extraordinaire has focused his lyrical eye towards his homeland, producing a fine folk album with stadium ambitions. Slightly faded are his everyman tales, replaced with beautiful compositions and ever growing confidence to write bigger and better than the last. This album has shown his adept ability to write lyrics close to his heart, retaining his honest Englishness while his musical arrangements reach for the skies. There are no better melody maker alive, and no better man to lead a sing-a-long with his utterly impassioned delivery. England Keep My Bones signals a significant step up.
7) The Rural Alberta Advantage – Departing
A hugely underrated album which I keep on coming back to. Its graceful and beautiful in its soothing softness backed with folky nasal vocals which are oddly fitting to their sound. This is not a happy album by any imagination stretch, feelings of isolation, despair and mellowness are present throughout. Yet when they crank up the dials and start to unleash some energy with crashing percussion and thrusting guitars their outstanding melodies take centre stage. A delightful album of perfectly staged catchy tunes that are emotionally fraught and honest.
6) Maybeshewill – I Was Here For A Moment, Then I Was Gone
Strings and Guitars gleefully unite on the most stunningly beautiful album on this year’s countdown. This collection of instrumentals send soaring violins crashing into waves of guitar noise and sends fizzing electro keys flying into epic cymbal smashes. When these elements all collide in one huge melodic crescendo, there is simply no better sound of 2011. Sit back and bask in it’s magnificence!
5) …And You Will Know Us By The Trail Of Dead – Tao of The Dead
This year,… AYWKUBBTOTD have never ventured far from the play button. With repeat listens this album just gets better, revealing new melodies each time or a new favourite track dependent on my mood. Their ability to retain their melodic groove throughout some apocalyptically massive prog-outs of guitar noise is hugely enviable. Tao of the Dead, once you give it a fair shot, will mesmerize you too.
4) Black Spiders – Sons Of The North
UK’s new rock heroes finally dropped their debut album in february, and my word…it ROCKS! Tongue in cheek lyrics and a huge sense of fun only increase my love for this album, one that’s already steeped in humungous melodies and no-nonsense all out attack guitars. Every song is a winner, from bluesy swaggers, recklessly energetic romps to foot stomping plunderers. Black Spiders wear the Hard Rock crown of 2011!
3) Foo Fighters – Wasting Light
After a couple of rather dull albums of run of the mill pop rock, this years return from the Foo’s billed as a return to roots was a welcome addition to their catalogue. True to word, from the very first tune the guitars are cranked up, the vocals are in attack mode and the amps are set to 11. Taking the best of the Foo’s arsenal of pop rock melodies, memorable choruses and high octane rock power, Wasting Light sees the return to form we’d been dreaming of.
2) And So I Watch You From Afar – Gangs
For the second year in a row, a debut album reaches #2 on the countdown with this offering from Northern Ireland’s Post-Rock saviors ASIWYFA. This album full of super tight instrumentals takes slices of metal, rock, prog, pop and post-rock and amalgamates them into a glorious storm of musical storytelling. Astounding guitar harmonies range from super technical metal to the ambient melodies, driving each and every tune. The lack of vocals doesn’t seem to matter as intricate instrumental interplay feeds this addiction. All that’s left is to sit back, be blown away by the often brutal, often beautiful but ever-infectious grooves of Gangs.
1) Fucked Up – David Comes To Life
David Comes To Life is such a brilliant rock record that it most definitely deserves it place at number 1 this year. Looking through a critical eye, it’s hard to fault this inventive concept album on its epic 80 min scope, unbridled energetic outbursts and for bringing hardcore punk back into fashion. For me this was an album which has some of the most infectious guitar melodies, choc a block with wall to wall riffs, thunderbolt drumming and angst tongued lyrics (matched beautifully by female clean vocals). Without lifting their foot off the pedal for David Comes To Life’s duration, who cares about the storyline when the soundtrack is this good! A rock and roll ride of stratospheric proportions.
Roll on 2012!
Honourable Mentions: Fair To Midland – Arrows And Anchors, You Animals – Crimes Creeps & Thrills, Turbowolf – Turbowolf,
Click here for the top 25 as a Spotify Paylist
>> DoesItRock Albums of 2011 <<
Albums of 2011: 25-11
Dec 31st
Here begins the start of DoesitRock.net’s annual roundup of the greatest albums which have been stuck on our stereos in 2011.
Let the countdown commence!
25) Chickenfoot – III
If you have Joe Satriani as your Guitarist, Marc Anthony on bass and Sammy Hagar as your vocalist, you are bound to produce something special. Vast improvement on their debut, this is about as classic rock as classic rock gets. Big bluesy melodies, Satch wonder solos and this time around, tunes to back them up.
24) Johnny Foreigner – Johnny Foreigner Vs Everything
These brummy indie punks have varied up their tempo’s more willingly on their latest. Rawkus punk rockers mingle with sweet lullaby balladry all with the honest everyman JoFo songwriting that’s so alluring. Everything that’s great about the band on one disc!
23) Amaranthe – Amaranthe
Really…European Power Metal?? That’s was my initial reaction upon compiling this list, but it did not feel right placing it in the Honourable mentions section. This is probably the most addictive metal record of 2011, twin male growls and powerful female vocals line the mammoth avenues of electro-metal. Surprisingly brilliant!
22) Times of Grace – The Hymn Of A Broken Man
Guitarist of metal-core legends Killswitch Engage steps out into the spotlight and into moody melodic territory. This is a superb work of dark sweeping soundscapes, masterful metal riffing and equally beautiful emotive vocals.
21) Rise Against – Endgame
US Political punk torch bearers have yet again created a solid album packed with pop slanted rockers. Soaring chorus lines backed by flaring guitars light up the track list, which never loses its momentum.
20) The Computers – This Is The Computers
The Computers debut album comes hurtling at you like a Punked up Blues-mobile, making one hell of a racket in the process. Snarling, teeth baring punk rock vocals lash against the age old cliffs of blues rock, bringing life and aggression to an age old sound. Each song kicks and screams as it hurtles along with reckless abandon, providing catchy licks at every turn. These riffs and melodies have all been played before mind you, but never quite like this.
19) Twin Atlantic – Free
After their cracking mini album Vivarium, Twin Atlantic unleashed Free, and it’s even better than its predecessors. They write the kind of songs destined to be sung at stadiums across the globe. Their vocalist’s broad Scottish accent only enhances their signature sound, packed with impassioned rock, streaming with melody and kick ass guitars. Song after song of huge hooks and epic chorus lines proved impossible to overlook this year. Free is one of the best Greatest British albums of 2011.
18) Social Distortion – Hard Times and Nursery Rhymes
Taking a vast sidestep from their heritage as leaders of the late 80′s early 90′s punk revolution, Social Distortion creates a cracking straight up American rock album that’s both full of drive and ambition, whilst being true to its roots. Their knack for addictive riffs hasn’t deserted them as this album delivers corking sing-a-longs and rock and roll rippers at every turn!
17) The Answer – Revival
What a fantastic return to form Revival proved for the hard rocking Irishmen. Crammed full of bluesy heritage riffing, stunning vocals and memorable melodies. This rollicking romp of a record became and instant DiR.net hit and has remained that way ever since. The Answer are still on the course walked by the rock greats!
16) Black Stone Cherry – Between The Devil & The Deep Blue Sea
Yes, its ballad heavy, yes they haven’t progressed much…but boy they know how to write a monstrous rock anthem. BTDATDBS shows this in force with wah-wah led White Trash Millionaire, deeply detuned chugger Killing Floor and the debauched party times of Blame It On The Boom Boom. Their softer side has fallen closer to the surface on this record. But through all the mid-tempo’ness there are heartfelt lyrics and brilliant banging choruses prevalent throughout. BSC are back and hitting harder than ever!
15) Bomb The Music Industry – Vacation
These ramshackle punks have finally put all what’s great about their DIY ethos, eclecticism, energy, passion and attitude together into one seamless collection of corking tunes. Flitting from noise rock, to reckless punk outrages, to surf-pop and sweet acoustic tales proves this album has so much to love. Although never ones to truly conform, their slightly poppier vocals this time out have eased their accessibility, thus hiking them up this list with double quick speed.
14) British India – Avalanche
With the UK’s current rock crop going off in all manner of directions (Arctic Monkeys-Snoozeland, Kasabian-Ambience, Kaiser Chiefs-Just Odd!) it was left to these Aussie boys to produce the best pop rocker of 11. This album fizzes and sparks with fuzzed up riffs, soaring chorus lines, thumping drums and ass kicking melodic anthems. A triumph of back to basics skuzzy rock with a true pop heart.
13) The Joy Formidable – The Big Roar
After impressing us early in the year, it was no surprise to see it firmly planted within this years round-up. Their swirling walls of guitar noise offset by the sugary sweet vocals of firecracker front woman Ritzy Bryan provide many beautifully riotous crescendos. With track after track of these huge melodies it’s easy to overlook to fact that there are so many hit singles effortlessly sprawled throughout the track list. Epic Indie Rock!
12) Karma To Burn – V
Although taking Karma To Burn away from their trademark Stoner rock instrumentals large enough to sedate a woolly mammoth, the arrival of Daniel Davies (Son of The Kinks, Dave Davies) has sparked new life into the formula. The addition of vocals, no matter how hazy and spectral have added that extra oomph the band needed to grab attention and never relent its torrid grip. Enormous melodies and some of the most powerful rock this side of ‘Disaster Area’. Prepared to be blown away!
11) Danananaykroyd – There Is A Way
A sad year for these fight poppers as they said farewell to music and parted each their seperate ways. But that doesn’t mean their final album doesn’t live up to the our expectations. Packed with pinging melodies, na na na na’s, intricate guitars and their exhilerating duelling vocal delivery resulted in a fine legacy to one of Britain’s finest live bands.
Stay tuned for the top 10!
Album Review Shorts: Bear Cavalry – Maple Trails
Dec 14th
Short & sweet album reviews that never miss the point…
Bear Cavalry – Maple Trails
Just in case you were feeling down as the days shorten, the nights grow longer and the depths of Winter start to take hold, Bear Cavalry’s latest sampler EP is here to raise the spirits. A surefire summer album which is bursting with multi instrumental vitality, beautifully versatile vocals and melodies to get your calypso on to. These tunes spring with energy and life wildly springing from spiky post punk guitars and African carnival vibes on Custom Hands while the lead track Roman Summer spins intricate melodies sprinkled with electro fizzes and a euphoric chorus. Despite the eclecticism on show, all the elements fuse together well including some unexpected surprises on Will Smith Solves The Rubik’s Cube..sombre verse, trumpet blowing chorus and indie toe tapping disco? Who knew?
There is a lot for the pop fan to love here. A splash of Little Comets shaken with some Kooks on a sandy wash of impulsive guitars will bring a dose of summer rushing right back up the aural canal! A highly promising EP.
Rise Against, The Nightwatchman @ Brixton Academy
Dec 11th
9th November 2011
Set against the foreboding backdrop of social inequality, student protests. grave economic uncertainty & growing Occupy movements. Tonight’s Brixton Academy line-up was about as fitting as they come! Headliners Rise Against, themselves bastions of a free and just society, were mere pretenders when faced with the politically prosed legends due to support their good cause on stage tonight.
Polar Bear Club
Polar Bear Club despite not falling into this category, did remarkably well at packing the venue by a little after doors. They had the soaring melodies to pack a big punk punch, but the vocals were slightly too distorted from where I was standing. This assured performance was met with equal amounts of love and indifference (split down the age divide).
The Nightwatchman
No sooner than reports of his earlier exploits of playing impromptu songs on the steps of St. Pauls for the gathered Occupiers, were streaming off the Evening Standard printers. All round political warrior and guitar hero Tom Morello stepped out to a bulging Brixton crowd as his acoustic wielding alter-ego The Nightwatchman. Singing self proclaimed ‘World Wide Rebel Songs‘ Tom was an enigmatic presence towering over his pointed folk rock. The tunes themselves were as simple and catchy as campfire ditty’s with the crowd being given sing-a-long moments at a rapid fire pace.
Special Guest Billy Bragg
Tom even invited a few special guests to sing alongside him onstage. Both Tim & Zach of Rise Against and a man he was clearly overwhelmed by, British political punk poet legend Billy Bragg. With only a handful of morello signature guitar solos and a single taking from RATM’s Renegade’s (Ghost of Tom Joad) this was the Nightwatchman’s night.
Rise Against
Rise Against returned as a full compliment to almighty roars from the stoked up fans. Their punk rock left no room for seatbelts tonight. This was a full tilt exhilarating parade of powerful guitars, infectious chorus chants and sublime melodies. The sound inside the academy tonight was truly gigantic, often drowning out the husky throaty rasps of vocalist Tim McIlrath .
Picking the setlist from albums new to old in equal measure, they pleased every gathered face in abundance. Proving their hardcore roots, they threw in plenty of relentlessly paced circle pit igniters such as Heaven Knows and Survive alongside more recent pop glossed offerings Architects and Satellite.
To their credit Rise Against were not preachy, yet they spoke with gusto and a collective enigmatic spirit that filled the heart with pride and honour. This was none more evident than on the acoustic double header of Swing Life Away and the poignant anti-war anthem Hero of War. The latter sparked an almighty emotional crowd outpouring of voices, minds and love.
If only every crowd were as joyous, if every line-up as committed to the good fight, the world would be a much better place for all. Not to mention one that truly rocks!
Ash @ The Forum
Nov 6th
26th October 2011
“It was the best of times, it was the worst of times”…or so the story goes….
The Virginmarys
Tonight’s opeing gambit came courtesy of The Virginmarys. A bluesy vagabond trio plying stoked rock and roll wringing every drip of power and energy from their instrumental weapons of choice. Varying the pace between slow acoustic fables, mid tempo romper stompers and fiery riffed guitar free for all’s, this highly addictive set was nicely balanced. With only one guitar, frontman Ally Dickaty both enthralled with his flaming blues licks, overdriven clattered chords and instantly lovable melodies. With attack, restraint and raw blues pop power in equal measure, this trio gave their all in the name of rock and roll.
Top Drums
Futures, a much hyped pop-punk band felt somewhat stunted in their reply. Their polished pop rock was well crafted, shiny and skirted with Coldplay-esque stadium ambitions. Yet it all felt a little too pedestrian despite the three guitars on show. Their radio hawking melodies were mostly forgettable over which the vocals were barely audible.
Futures
This support battle was won and lost on the drummers stool! “A Tale of Two Drummers“, so to speak. One steam rolled through his set inflicting full blooded smashes, thrashing the skins to within an inch of their lives. The other sat calmly, looking cool, knockin out ‘rock band’ 1-2-1-2 beats without a whiff of passion. The Viginmarys triumph from this particular tale while Futures are left to face the guillotine of defeat.
Ash…incoming
As an Ash veteran, I was thrilled on the announcement of tonight’s Free All Angels show. It was a corking album which takes me back to younger summers, played in full no less + greatest hits (no a-z nonsence, phew!). To top that off we also are treated to a return to the Ash stage, of former axe slinging princess, Charlotte Hatherley!
Charlotte Hatherley
They wasted no time in small talk tonight. Straight on with the trio of knockout of tunes which lead off Free All Angels, feelgood punker Walking Barefoot, Sing your heart out Shining Light and the irrepressible Burn Baby Burn. “Not a bad start to an album hey…”, remarks flying v armed frontman, Tim Wheeler. Even If he says so himself.
Tim Wheeler
But then, I got that immediate wake up call, telling me that the highlights have been and gone after only 10 minutes.
Yet a top form’ ‘full fat’ dual guitared Ash threw themselves into every tune, even sparking mini crash pits with the furious punk combo of Shark and Pacific Palisades plus sparking mass soppyness with ballads Someday and There’s A Star. They managed to maintain the euphria from track 1 through 12 an impressive feat.
Wrapping up the album section they dived off, only to return with even more vigour and purpose. Their Greatest Hits set was even better than what came before. Tim was basking in the crowds reflective energy while fiery haired Charlotte looked like she was having a blast being back in front of the faithful. We can only hope for a permanent return, but On the strength of tonight’s show, there might be a chance…maybe?
Throwing in an extended run of classics including Girl From Mars. Oh Yeah, Orpheus, A Life Less Ordinary and a cool cover of Teenage Kicks. They clearly overran curfew when returning for a second encore, not that there were any complaints mind you. This ensure no classic was left unaired as Kung Fu rounded the night out… kicking and screaming in its pop rock magnificence. A masterful set from a live band who never, never, never, disappoint!
Album Review Shorts: The Trews – Hope & Ruin
Nov 4th
Short & sweet album reviews that never miss the point…
The Trews – Hope & Ruin
RockOSaurus Says…
Canadian east coasters The Trews have not hit the UK shores as hard as they deserve with their pop rock and roll combination of precise guitars, tender ballads and all round good time tunes. Hope & Ruin is doing its damned best to change matters. This being their 4th LP, nothing too greatly has changed since last time out, but their knack for writing upllifting feel good rock songs underpinned by huge vocal bellows and infectious melodies remain strong. They have mixed up melancholy, mid-tempo and mega-sized thoughout making this a varied album with wider pop audience appeal. Though they have not distancing themselves too far from the rock crowd with thumping tunes such as opener Misery Loves Company and the powerful wah wah riffed People of the Deer. It can be a little too plodding towards the end, but with the majority of songs presented in such enjoyble pop packages it’s easy to overlook.
8
Album Review Shorts: The Subways – Money & Celebrity
Nov 1st
Short & sweet album reviews that never miss the point…
The Subways – Money & Celebrity
RockOSaurus Says…
Former garage rockers step out into the limelit world of celeb culture for their third spunky pop LP. Showbiz, money and fame all get a lyrical flow which fails to really grip the listener. In essence it is only those fickle glossy mag flickers who might! It’s a good job then that each tune is overflowing with melody and pop craft. Urgency and tempo rages on Kiss Kiss Bang Bang, super catchy vocal harmonies line Like I Love You and rippin’ garage guitars are scattered throughout We Don’t Need Money To Have A Good Time . Like Celebrity itself, this album is easy to criticise for it’s superficial and attention grabbing outlook. But In this case, it plays as a major strength throughout this strong collection of uplifting pop rockers.
7
Album Review Shorts: The Horrible Crowes – Elsie
Oct 29th
Short & sweet album reviews that never miss the point…
The Horrible Crowes – Elsie
RockOSaurus Says…
Gaslight Anthem frontman’s side project is a deeply sombre affair, something which hugely suits his fantsastic lyrical character creations. With the throttle lifted it’s the focus on soulful rasping vocals and poetic musings that resonate the strongest. The wide ranging use if softly picked country guitars and organs give Elsie a lounging gospel feel of comfort despite its powerful emotional clout. The right balance of mood is struck throughout with Go Tell Everybody, one of a handful of bright noisier tuneis polar opposed by the almost confessional groove of Ladykiller. A darkly passionate and vivid album full of honest warmth. No more that could we expect from the heir to Springsteen’s throne!
7.5
