Posts tagged Indie
Albums of 2011: 10-1
Jan 1st
It’s time to complete the countdown of DoesItRock.nets favourite albums of 2011…
10) Mastodon – The Hunter
Prog metal kings Mastodon’s latest LP is by far their most accessible, weaving a path of destruction though chunky heavy metal grooves, gorgeously powerful backdrops and infectious melodies. The mix of super smooth clean lyrics and snarling tongue lashings are superb as each track flips from lightning fast metal riffs to thunderous hard rock in an instant. Mixing up their sound with meandering prog-outs, straight laced rockers and metal assaults this album has much to offer all music lovers. Simply put, there was no better metal in 2011.
9) The Treatment – This Might Hurt
Ok, so technically this is a re-issue. But it is very rare that you get a chance to make amends for overlooking an album within its release year. Bolstered with a handful of brilliant bonus tracks, This Might Hurt screams like Aerosmith, drinks with Gun’s n’ Roses and parties like Motley Cru. Good old fashioned rock and roll is safe in their hands as they combine huge Marshall backed riffs with classic rock solo’s and catchy ass vocals. If you’re looking for a big time rock and roll album of head banging, balls to the wall and drunken debauched anthems. The Treatment are all the medicine you need!
8) Frank Turner – England Keep My Bones
Frank’s Turner esquire, punk poet laureate extraordinaire has focused his lyrical eye towards his homeland, producing a fine folk album with stadium ambitions. Slightly faded are his everyman tales, replaced with beautiful compositions and ever growing confidence to write bigger and better than the last. This album has shown his adept ability to write lyrics close to his heart, retaining his honest Englishness while his musical arrangements reach for the skies. There are no better melody maker alive, and no better man to lead a sing-a-long with his utterly impassioned delivery. England Keep My Bones signals a significant step up.
7) The Rural Alberta Advantage – Departing
A hugely underrated album which I keep on coming back to. Its graceful and beautiful in its soothing softness backed with folky nasal vocals which are oddly fitting to their sound. This is not a happy album by any imagination stretch, feelings of isolation, despair and mellowness are present throughout. Yet when they crank up the dials and start to unleash some energy with crashing percussion and thrusting guitars their outstanding melodies take centre stage. A delightful album of perfectly staged catchy tunes that are emotionally fraught and honest.
6) Maybeshewill – I Was Here For A Moment, Then I Was Gone
Strings and Guitars gleefully unite on the most stunningly beautiful album on this year’s countdown. This collection of instrumentals send soaring violins crashing into waves of guitar noise and sends fizzing electro keys flying into epic cymbal smashes. When these elements all collide in one huge melodic crescendo, there is simply no better sound of 2011. Sit back and bask in it’s magnificence!
5) …And You Will Know Us By The Trail Of Dead – Tao of The Dead
This year,… AYWKUBBTOTD have never ventured far from the play button. With repeat listens this album just gets better, revealing new melodies each time or a new favourite track dependent on my mood. Their ability to retain their melodic groove throughout some apocalyptically massive prog-outs of guitar noise is hugely enviable. Tao of the Dead, once you give it a fair shot, will mesmerize you too.
4) Black Spiders – Sons Of The North
UK’s new rock heroes finally dropped their debut album in february, and my word…it ROCKS! Tongue in cheek lyrics and a huge sense of fun only increase my love for this album, one that’s already steeped in humungous melodies and no-nonsense all out attack guitars. Every song is a winner, from bluesy swaggers, recklessly energetic romps to foot stomping plunderers. Black Spiders wear the Hard Rock crown of 2011!
3) Foo Fighters – Wasting Light
After a couple of rather dull albums of run of the mill pop rock, this years return from the Foo’s billed as a return to roots was a welcome addition to their catalogue. True to word, from the very first tune the guitars are cranked up, the vocals are in attack mode and the amps are set to 11. Taking the best of the Foo’s arsenal of pop rock melodies, memorable choruses and high octane rock power, Wasting Light sees the return to form we’d been dreaming of.
2) And So I Watch You From Afar – Gangs
For the second year in a row, a debut album reaches #2 on the countdown with this offering from Northern Ireland’s Post-Rock saviors ASIWYFA. This album full of super tight instrumentals takes slices of metal, rock, prog, pop and post-rock and amalgamates them into a glorious storm of musical storytelling. Astounding guitar harmonies range from super technical metal to the ambient melodies, driving each and every tune. The lack of vocals doesn’t seem to matter as intricate instrumental interplay feeds this addiction. All that’s left is to sit back, be blown away by the often brutal, often beautiful but ever-infectious grooves of Gangs.
1) Fucked Up – David Comes To Life
David Comes To Life is such a brilliant rock record that it most definitely deserves it place at number 1 this year. Looking through a critical eye, it’s hard to fault this inventive concept album on its epic 80 min scope, unbridled energetic outbursts and for bringing hardcore punk back into fashion. For me this was an album which has some of the most infectious guitar melodies, choc a block with wall to wall riffs, thunderbolt drumming and angst tongued lyrics (matched beautifully by female clean vocals). Without lifting their foot off the pedal for David Comes To Life’s duration, who cares about the storyline when the soundtrack is this good! A rock and roll ride of stratospheric proportions.
Roll on 2012!
Honourable Mentions: Fair To Midland – Arrows And Anchors, You Animals – Crimes Creeps & Thrills, Turbowolf – Turbowolf,
Click here for the top 25 as a Spotify Paylist
>> DoesItRock Albums of 2011 <<
Albums of 2011: 25-11
Dec 31st
Here begins the start of DoesitRock.net’s annual roundup of the greatest albums which have been stuck on our stereos in 2011.
Let the countdown commence!
25) Chickenfoot – III
If you have Joe Satriani as your Guitarist, Marc Anthony on bass and Sammy Hagar as your vocalist, you are bound to produce something special. Vast improvement on their debut, this is about as classic rock as classic rock gets. Big bluesy melodies, Satch wonder solos and this time around, tunes to back them up.
24) Johnny Foreigner – Johnny Foreigner Vs Everything
These brummy indie punks have varied up their tempo’s more willingly on their latest. Rawkus punk rockers mingle with sweet lullaby balladry all with the honest everyman JoFo songwriting that’s so alluring. Everything that’s great about the band on one disc!
23) Amaranthe – Amaranthe
Really…European Power Metal?? That’s was my initial reaction upon compiling this list, but it did not feel right placing it in the Honourable mentions section. This is probably the most addictive metal record of 2011, twin male growls and powerful female vocals line the mammoth avenues of electro-metal. Surprisingly brilliant!
22) Times of Grace – The Hymn Of A Broken Man
Guitarist of metal-core legends Killswitch Engage steps out into the spotlight and into moody melodic territory. This is a superb work of dark sweeping soundscapes, masterful metal riffing and equally beautiful emotive vocals.
21) Rise Against – Endgame
US Political punk torch bearers have yet again created a solid album packed with pop slanted rockers. Soaring chorus lines backed by flaring guitars light up the track list, which never loses its momentum.
20) The Computers – This Is The Computers
The Computers debut album comes hurtling at you like a Punked up Blues-mobile, making one hell of a racket in the process. Snarling, teeth baring punk rock vocals lash against the age old cliffs of blues rock, bringing life and aggression to an age old sound. Each song kicks and screams as it hurtles along with reckless abandon, providing catchy licks at every turn. These riffs and melodies have all been played before mind you, but never quite like this.
19) Twin Atlantic – Free
After their cracking mini album Vivarium, Twin Atlantic unleashed Free, and it’s even better than its predecessors. They write the kind of songs destined to be sung at stadiums across the globe. Their vocalist’s broad Scottish accent only enhances their signature sound, packed with impassioned rock, streaming with melody and kick ass guitars. Song after song of huge hooks and epic chorus lines proved impossible to overlook this year. Free is one of the best Greatest British albums of 2011.
18) Social Distortion – Hard Times and Nursery Rhymes
Taking a vast sidestep from their heritage as leaders of the late 80′s early 90′s punk revolution, Social Distortion creates a cracking straight up American rock album that’s both full of drive and ambition, whilst being true to its roots. Their knack for addictive riffs hasn’t deserted them as this album delivers corking sing-a-longs and rock and roll rippers at every turn!
17) The Answer – Revival
What a fantastic return to form Revival proved for the hard rocking Irishmen. Crammed full of bluesy heritage riffing, stunning vocals and memorable melodies. This rollicking romp of a record became and instant DiR.net hit and has remained that way ever since. The Answer are still on the course walked by the rock greats!
16) Black Stone Cherry – Between The Devil & The Deep Blue Sea
Yes, its ballad heavy, yes they haven’t progressed much…but boy they know how to write a monstrous rock anthem. BTDATDBS shows this in force with wah-wah led White Trash Millionaire, deeply detuned chugger Killing Floor and the debauched party times of Blame It On The Boom Boom. Their softer side has fallen closer to the surface on this record. But through all the mid-tempo’ness there are heartfelt lyrics and brilliant banging choruses prevalent throughout. BSC are back and hitting harder than ever!
15) Bomb The Music Industry – Vacation
These ramshackle punks have finally put all what’s great about their DIY ethos, eclecticism, energy, passion and attitude together into one seamless collection of corking tunes. Flitting from noise rock, to reckless punk outrages, to surf-pop and sweet acoustic tales proves this album has so much to love. Although never ones to truly conform, their slightly poppier vocals this time out have eased their accessibility, thus hiking them up this list with double quick speed.
14) British India – Avalanche
With the UK’s current rock crop going off in all manner of directions (Arctic Monkeys-Snoozeland, Kasabian-Ambience, Kaiser Chiefs-Just Odd!) it was left to these Aussie boys to produce the best pop rocker of 11. This album fizzes and sparks with fuzzed up riffs, soaring chorus lines, thumping drums and ass kicking melodic anthems. A triumph of back to basics skuzzy rock with a true pop heart.
13) The Joy Formidable – The Big Roar
After impressing us early in the year, it was no surprise to see it firmly planted within this years round-up. Their swirling walls of guitar noise offset by the sugary sweet vocals of firecracker front woman Ritzy Bryan provide many beautifully riotous crescendos. With track after track of these huge melodies it’s easy to overlook to fact that there are so many hit singles effortlessly sprawled throughout the track list. Epic Indie Rock!
12) Karma To Burn – V
Although taking Karma To Burn away from their trademark Stoner rock instrumentals large enough to sedate a woolly mammoth, the arrival of Daniel Davies (Son of The Kinks, Dave Davies) has sparked new life into the formula. The addition of vocals, no matter how hazy and spectral have added that extra oomph the band needed to grab attention and never relent its torrid grip. Enormous melodies and some of the most powerful rock this side of ‘Disaster Area’. Prepared to be blown away!
11) Danananaykroyd – There Is A Way
A sad year for these fight poppers as they said farewell to music and parted each their seperate ways. But that doesn’t mean their final album doesn’t live up to the our expectations. Packed with pinging melodies, na na na na’s, intricate guitars and their exhilerating duelling vocal delivery resulted in a fine legacy to one of Britain’s finest live bands.
Stay tuned for the top 10!
Album Review Shorts: Bear Cavalry – Maple Trails
Dec 14th
Short & sweet album reviews that never miss the point…
Bear Cavalry – Maple Trails
Just in case you were feeling down as the days shorten, the nights grow longer and the depths of Winter start to take hold, Bear Cavalry’s latest sampler EP is here to raise the spirits. A surefire summer album which is bursting with multi instrumental vitality, beautifully versatile vocals and melodies to get your calypso on to. These tunes spring with energy and life wildly springing from spiky post punk guitars and African carnival vibes on Custom Hands while the lead track Roman Summer spins intricate melodies sprinkled with electro fizzes and a euphoric chorus. Despite the eclecticism on show, all the elements fuse together well including some unexpected surprises on Will Smith Solves The Rubik’s Cube..sombre verse, trumpet blowing chorus and indie toe tapping disco? Who knew?
There is a lot for the pop fan to love here. A splash of Little Comets shaken with some Kooks on a sandy wash of impulsive guitars will bring a dose of summer rushing right back up the aural canal! A highly promising EP.
Dananananaykroyd @ KCSU
Nov 26th
4th November 2011
It was with mixed feelings the DiR crew squeezed themselves into the already packed lift, ascending to the fifth floor of Kings College Student Union. We knew what to expect. A performance that no doubt would widen smiles and spark widespread indiscriminate hapiness. Yet we also knew this would be the last time we would ever get the chance to see one of thebest and most chaotic live bands to grace these pages.
Dananananaykroyd‘s decision to break-up was a huge hammer blow, but at least this farewell tour was a final opportunity to bid a fond Bon voyage.
Never a band to disappoint, they played tonight like any other, without a hint of sadness or regret. Their razor sharp guitar lines were tighter than ever as they wildly swung between super complex melodic post hardcore riffing to stonking great crashes of noise rock power. Their duelling lead singers ensured their self proclaimed genre tag ‘Fight Pop’ was alive and well as they traded lyrics, slam style, doubling up to add extra clout to the spiralling sock rocking walls of amp clatter.
Songs taken from New album there is a way sounded almost as good as their debut counterparts tonight. The jerking vocals of Time Capsule, esctatic instrumental Reboot, super pop melodied Muscle Memory and the sprightly jagged edges of Think & Feel. Old favourites were as exhilerating as ever with the likes of rock-a-holic Pink Sabbath, mixed up frantic fretmeister The Greater Symbol & The Hash and the unforgetable jangle pop gem Black Wax
Danana…(Yes…I have shortened it) are all for the shared joyous gig experience. To such extent that after spotting some overly enthusiastic fans, clearly guilty of disruptive anti-social behaviour, they singled out the pair and instructed they go find a private room to go ‘do whatever you want to get out all your energy’. The innuendo sparked giggles and a red faced duo to retreat, tail between legs. Of course their pot called the kettle black when they spontaneously launched into crowd surfs. At least they apologised for any limb flailing contact.
The night would not have been complete without their trademark instigation, a ‘Wall of Cuddles‘. The love spreading take on the wall of death. Finding yourself in the midst of a mad impromptu manly hug-a-thon with complete and total strangers, can only happen when Danana are in town.
Rounding the night off with a rousing performances of Pink Sabbath & Some Dresses, the lights went down on Danana for the last time, Leaving on a high as they soaked up their massively earned applause! They shall be sorely missed! Farewell Dananananaykroyd!
Album Review Shorts: The Horrible Crowes – Elsie
Oct 29th
Short & sweet album reviews that never miss the point…
The Horrible Crowes – Elsie
RockOSaurus Says…
Gaslight Anthem frontman’s side project is a deeply sombre affair, something which hugely suits his fantsastic lyrical character creations. With the throttle lifted it’s the focus on soulful rasping vocals and poetic musings that resonate the strongest. The wide ranging use if softly picked country guitars and organs give Elsie a lounging gospel feel of comfort despite its powerful emotional clout. The right balance of mood is struck throughout with Go Tell Everybody, one of a handful of bright noisier tuneis polar opposed by the almost confessional groove of Ladykiller. A darkly passionate and vivid album full of honest warmth. No more that could we expect from the heir to Springsteen’s throne!
7.5
The Joy Formidable, And So I Watch You From Afar @ The Forum
Oct 25th
14th October 2011
We were back at one of our favourite stomping grounds tonight for a show that’s come as the result of an accelerated rise through the indie rock ranks in 2011, The Joy Formidable. They brought along a packed support line-up, the first of which we missed out on. Oddly all support bands had the same length sets. Now I’m all for equal opportunities but the hierarchy of set times is one right that needs to be built over time with rising popularity, not assigned through an arbitrary all inclusive policy.
The Dig
Nevertheless despite a shortlived uprising, we were stuck with The Dig for 30 arduous minutes of heavily reverbed, surf styled, trendy indie scene dross which barely managed to keep us awake, let alone entertain us. Credit is due though to their final song which perked up a wholly dull performance from these Abercrombie NYC residents, rescuing it from the jaws of defeat just in the nick of time, a la Jack Bauer. Ready to make a bigger impact in their 30 minutes were tonight’s ‘sub-headliners’ (a moot title), And So I Watch You From Afar…
And So I Watch You From Afar
ASIWYFA are an interesting beast. An instrumental guitar band who like to blur the boundaries between rock, post-rock and prog on their album releases. Tonight regardless of genre classifications they had their serious rocking hat on a they blasted through the standout first 4 tracks of their blistering new album Gangs. The instrumental virtuosity was sublime with some of the most complicated interweaved sections played on two guitars standing on opposite ends of the stage. Standout tune 7 Billion People All Alive At Once leveraged plenty of huge rugged breakdowns beautifully complimenting their more melancholic guitar lines and soaring soundscopic effects. Playing both the beauty and the beast bears no problem for this superbly talented band. Despite being on top form tonight, they seemed to have some slight technical issues, which may or may not have been the cause of their sound being way below the 11 they’d clearly love to tune their amp dials to. An epic journey of prog infused melodic phrasing and hard hitting raw power, one nobody wanted to alight from.
Suddenly out of the cold Kentish Town night, a small Cornish seafront village has appeared on stage, complete with its own crashing waves, boat and operational 10ft lighthouse. It was set for headliners The Joy Formidable (I’ve clearly missed the whole maritime link here). First impressions were…where is the lead singer? I then proceeded to rise on tip toes and located the vertically challenged female firecracker who’s beautiful vocals mixed up stunning power and a subtle fragility. This trio certainly packed a punch with some tremendously thunderful drumming and overwhelming crashing guitars (akin to a stormy sea perhaps? I know…I’m fishing for a connection).
The Joy Formidable
Only having a single LP to your name on one hand is a good thing. Everybody knows what’s instore! The finest tunes from their debut all got a great live reception including the electro stormer A Heavy Abacus, a potently tormented I Don’t Want To See You Like This and the remarkable sound collision of Whirring.
Ritzy Bryan
Although on the other hand, unless the album is a 10/10 instant classic, there is a lot of filler to plug the gaps where you would normally press fast forward. Having these interspersed within the set dried their indie rock formula up prematurely, hence later songs sounded almost too similar and repetitive. A few covers would have helped proceedings flow better.
Despite this, they put on a very entertaining show with great spirit, especially frontwoman Ritzy Bryan who endlessly bounded about with a smile of enjoyment streaking across her beaming face all evening. Ones to watch, for sure…roll on album #2.
Art Brut @ The Lexington
Jul 14th
2nd June 2011
So many gigs, so little time to write…It must be the summer!
After enjoying a fine but hideously expensive Brooklyn Lager (Cheers Docktor) at the cool pub/venue hangout The Lexington we ascended to welcome tonight’s warm up act, Baddies.
Baddies
From their sound, it is quite clear to see they missed the bus out of the mid 00′s choppy indie rock, being left to wallow through the mud that’s been caked on for 5 years or so. The sound wasn’t fantastic with overpowering chiming power chords and muffled vocals. Their matching uniforms (with top buttons done up) screamed geek, a look in not sure they were after. Plus they broke gig rule #1: Do not insult the crowd. “…you might not be the clapping sort of crowd…“, quickly followed by #2. If its not going well, do not add kerosene to the fire!!
Art Brut
Art Brut kept their fans waiting eager for a glimpse of the Londoners playing the 4th of their 5 night stand here at the Lexington. When they did arrive it was met with jubilation and roars from the ‘older than your average’ gig crowd packed in this evening. From the first spoken vocal of Lead Singer Vocalist Storyteller Eddie Argos and his first call of “Are You Ready Art But…Let’s Go” to the very last, he was a magnetic presence on stage. His tongue in cheek wordplay and honest observations of life love and lunacy were waited on with baited breath all night long.
Eddie Argos
Seeing as most of his lyrics are conversational it’s no surprise to report that he likes a bit of banter, laughing and joking with the crowd and updating lyrics to the present, such as “Even though I’m 28 31″ rolled out on DC Comics & Chocolate Milkshake. This humour and openness were great qualities which connected himself with his captive audience. Emily Kane also got a nice live rework treatment with an extended interlude that documented the next chapter when Emily got in contact. To find out what actually happened is a live gem I’ll leave for you to find out individually.
Musically the set highlights consisted of the sharp jagged chords of My Little Brother, the playful DC Comics and the uncontrollable Modern Art with it’s chaos call “Modern Art, Makes Me Want To Rock Out” sparking crazed scenes. New tunes were not massively well received, but their newer deeper sound was full bodied and disguised many cunningly understated melodies in its midst.
“Sit down class…”
After 4 nights in the same venue (1 more to go) they knew how to work the London crowd without becoming stale and repetitive keeping the set list mixed up also (sadly no airing for Direct Hit tonight). They are a brilliant live band for one reason and that is their talismanic front man who despite his random tales of booze and chance encounters, feels very, well…normal. That connection drives everything the band do and once backed with sharp and catchy little ditty rock tunes, it’s difficult not to love! The chants of “Art Brut Top of The Pops” faded into the night bringing a thoroughly entertaining performance to an end, from one of London towns very best live bands.
Camden Crawl 2011: Day Two
May 31st
1st May 2011
Well rested, showered and fuelled by ‘full English’ we set out for more exploits in Camden for day two of the crawl.
Kicking off today’s live music extravaganza was the ever reliable grunge revivalists Dinosaur Pile-Up. We have long been admirers of these boys performances and today was no exception. Their big dropped D riffs boomed out livening the early crowd and treating them to a dose of cheery nirvana-esque rock with plenty of catchy melodies and a tonne of chugging rhythm guitars. We were lucky to be treated to some older gems in the shape of Opposites Attract, new material which sounded great, as well their bigger numbers such as Traynor. A cracking start to yet another sunny day.
Dinosaur Pile-Up
From here we mooched over towards the Summer Sundae Special Edition event out on the sun soaked Roundhouse Terrace, only to find Dry The River limbering up. After fighting through a sea of promotional material being thrown our ways we settled and enjoyed what was a mellow laid back folk set. In the sunshine it sounded excellent, the violin especially making an impression. Yet with mellowness comes bliss, and with bliss comes sleep…which is not the greatest asset for a band. One for throwing on the stereo for a lazy Sunday afternoon.
Dry The River
The mood swing between these and our next band was colossal. Somewhat strangely ,the crowd were packed in tight for the emergence of NYC’s latest hardcore punk exports Cerebral Ballzy. Their “I don’t give a flying F**k” brat attitude and a love of black flag et al seemed to cause more headaches than circle pits, with the non-receptive crowd. They missed about as much as they hit as their front man ran amok through the crowds inciting foul language and generally causing havoc. Musically this wasn’t a great performance even though there were a few decent hooks hidden in there. Their lifeblood is to make loud and supremely fast punk to get knotted to…on this count they succeeded greatly.
Cerebral Ballzy
Indeed the reason for the indifference was plain to see once Cerebral had left the stage. Currently riding a huge over inflated wave of hype are the hip hoppers Odd Future or OFWGKTA (I did wonder what young heavily made up teenage girls were doing at a hardcore punk gig). I departed, but Mr. Flowers stuck around…
Meanwhile…I continued my search for cool new music and found a jazz musician playing what looked like a carpenters saw. I promptly turned around and stumbled by chance into the Vox busking sessions to catch James Page. This young acoustic strummer had plenty of melody in his heart and honesty in his lyrics. Tales of london life and what else…girls, were lively and highly enjoyable. This was a tough/drunk crowd to perform for plus all the while having a multitude of technical difficulties, he showed his spirit and professionalism to battle through admirably.
James Page
After a huge trek out to Kentish Town, we were glad to find a band about to begin in the Bull & Gate, this was Five Working Days. A triumphantly jubilant set of rockabilly/ska pop later, we were smitten. It was lively and highly entertaining in this tiny pub corner. It’s a surprise they all managed to fit in really! Stuffed full of a good “cockney knee’s up”, we headed into the Forum for what turned out to be a rather costly mistake.
Five Working Days
Frankie & The Heartstrings failed to appear at their appropriate stage time, we consulted the schedule…yup this is right, we agreed! A quick foray into the twitterati revealed more disappointing news. Frankie & his Heartstrings were at home and were never scheduled to play the Sunday! Bad form Camden Crawl!
Still we had Benjamin Leftwich Francis to enjoy instead. After 10 minutes of boredom inducing folk crooning I departed, more than a bit saddened!
The Phantom Band
Heading back into Camden central (by bus this time), I found myself in an almighty queue to get into the Proud Galleries, for one of the big highlights of the festival. After the floodgates opened I somehow found myself down the front! Sporting a look of bewilderment and smugness, I settled down to watch The Phantom Band after a slightly awkward Q&A session from Radio Ones new music maestro Huw Stevens. A very eclectic set followed with plenty of blips and bops overlaying their already well stacked guitars and melancholic yet purposeful vocals. They made big powerful atmospheric indie rock with effortless ease, without really having to strain. Playing a wide variety of quirky instruments they managed to squeeze out melodies from all angles. Never losing track of the main melody was key to their success, as it was these that formed the heartbeat of their songs amongst their proggy sidesteps. A great little set of diverse rock!
Graham Coxon
The venue had long been full to capacity, turning away latecomers because next on stage was the true British guitar legend, ex-Blur guitarist and accomplished solo artist, Graham Coxon. Meekly shuffling onstage it was apparent he wasn’t here to mess around as he and his ample sized band quickly hooked up their huge effects pedal boards to their Marshall’s and begun to ring out crunching power chords galore to the delight of the fans.
Sporting his trademark stripy Tee and Glasses, Coxon & Co got quickly into their stride playing brilliant upbeat rock numbers from Love Travels at Illegal Speeds including Don’t Let Your Man Know, Standing On My Own Again & I Can’t Look At Your Skin each teeming with energy and pulse racing urgency. The business of getting the crowd onside was complete, thus the set spiraled into a swarm of new material, many of them debut’s including City Hall, The Truth & a cracking little punchy number Running For Your Life. These new tunes were catchy and enjoyable pop-centric rockers, showing promise for his upcoming album.
He was joined on stage by Shingai of The Noisettes in a striking (and short) red dress, providing vocals for another new tune Billy Says. As Graham himself put it in the Q&A, “I get a lot of stick for my singing…It’s nice to hear my songs sung by a girl, gives it a different feel”. We agree. This bluesy number was ace and vocals were soulful and bright, adding a totally new slant to Coxon’s usual monotone fare. A few more newbie’s later the set was wound up with the euphoric rocker Freakin’ Out to end with a bang. This was a great intimate gig packed with classics and new tracks alike. A very rare opportunity to catch a legend doing what he does best!
Coxon and Shingai
We hightailed it to The Black Cap for our final band of this years Crawl, Johnny Foreigner. Opening with an A Cappella verse from the front pairing of this lively trio, they soon clattered their guitars and spliced riffs with rhythms forming a jubilant racket of insistent indie rock. Again new material took the forefront, but these tunes were like all JF tunes…exciting and exhilarating. The pairing of boy girl vocals is always at the heart of their shows and this was no exception. Highlights came in the shape What Drummer Get (from their latest EP sold as a Frisbee!!), Eyes Wide Terrified & the irrepressible Salt Pepper & Spinderella. Their onstage presence and artistic backdrop (courtesy of a mac, a projector and a white bed sheet) were great, as their bantered with the crowd and produced a livewire performance of the highest quality.
Johnny Foreigner
This year’s Crawl far outstripped last years in terms of quality acts, performances and thankfully…weather. Let’s hope they can maintain the trend for next year!
