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Glastonbury 40th Birthday
Jul 15th
It does get pretty busy!
Wednesday
The festival experience started on the delayed 20:15 train service towards Glastonbury on the Wednesday evening due to pikeys nicking the signalling cable near Iver. Despite the ensuing problems at Paddington this worked out well as I happened to sit next to a member of a Glastonbury band, Nu from The Yearner Babies. It was great to hear about an up and coming band who were due to play two sets over the weekend and at a number of other festivals over the summer whilst she was enthusiastically filing her nails, which I was told essential for all violinists.
Thursday
Rather than head down with every man and his dog (animals no longer allowed on-site) on the Wednesday we headed down early Thursday morning, arriving at the festival site at 6:30. With no traffic or queues to park this was definitely a good plan and it didn’t take too long to find a place to pitch our tents and pop ours up, whilst our neighbours were still fast asleep. With the music on Thursday’s limited to the smaller tents and predominantly in the evening we had an opportunity to get the rest of our supplies from the car, relax in the sun with a few ciders getting to know our Scottish neighbours who took the coach down from Edinburgh and meet up with some other friends. The stages which were open were packed so it was nigh on impossible to get in anywhere or near to the stage. However, we did manage to see Beardyman on the WOW! stage who is without doubt the best (and only) beatboxer I have ever seen. Singing/making noise to classic tunes such as Golddigger and Stevie Wonder’s Superstition (the first of many for the weekend) clearly demonstrated the talent this guy has (check out Kitchen Diaries on Youtube for further evidence) and a number of people who initially thought it was a rather strange DJ set were amazed . It was a fantastic way to start the festival and a real highlight so early on in the proceedings. The huge crowds in the dance village soon inspired us to move elsewhere and we passed the next few hours smoking shisha in the Glade bar, a real bargain at £7.50, and drinking Chai in Green Futures.
Friday
After freezing during the night and starting to cook as soon as the sun came up (the downside to pop-up tents) we managed to get ourselves up and ready for the first real day of music. There was only one act who we and seemingly the rest of Glaso wanted to see – the Aussie legend, star presenter of Animal Hospital, artist to the queen and inventor of the wobble board, the man him-self – Rolf Harris. On route to what would have surely been the best act of the weekend a call from a friend changed our plan. Mumford & Sons were playing a secret gig at the BBC Introducing stage, as advertised on a small sheet of paper outside the tent. We joined the small crowd and waited patiently for Jo Whiley and the band. Although they only played three tracks (including one song twice) the catchy folk songs which are so characteristic of the smaller tents throughout the site were very well received.
Mumford & Sons Secret Performance
After some tasty jerk chicken and rice and peas (the food at Glasto is consistenly good) we moved to the Green Future field, past the unremarkable Stranglers who were playing on The Other Stage. We caught the end of Rodney Branigan in the Small World tent, who wowed the crowd and wouldn’t come back for an encore because he couldn’t beat playing two guitars at once! After that were Mazaj, a two-member band who specialised in Arabic music. The female member did not exude enthusiasm and was perhaps focussing on playing, bored or jealous of the belly dancer who came on stage.
They start young at Glasto!
Next up were Bombay Bicycle Club in the John Peel tent, who we watched from afar whilst soaking up the sun and played a fantastic samba version of Always Like This. We headed back to the tent for a bit of rest, but could still hear Kele who played some of his new up-beat songs and then some classic Bloc Party tracks. After re-charging our batteries we headed to the Pyramid Stage and saw the New Yorkers Vampire Weekend who entertained the crowd with their sing-along tunes such as Holiday and Cape Cod Kwassa Kwassa.
Vampire Weekend on the Pyramid Stage
Soon after finishing their set we joined the rest of the crowd moving to see Florence and the Machine on the Other Stage. To get a good view we watched from the Railway Track, a long distance from the stage but a fantastic view of the crowd. Florence really worked the crowd and seemed to be having the time of her life. Her covers of Candi Staton’s You Got the Love We and Fleetwood Mac’s The Chain were superb and she will almost certainly be back for years to come. As the evening approached we moved on to the dance areas, starting with a sunset performance by Hybrid in the fantastic tree lined Glade tent, and then the Dance East tent where Zane Lowe played a DJ set to warm up the audience for Chase and Status. The tent packed out in anticipation of this band who are emerging as one of the biggest dance acts in the UK. Joined by other artists such as London rapper Tinnie Tempah the base shook the crowd into action and by time Plan B arrived and ended their set with perfect renditions of End Credits and Pieces the crowd were ecstatic.
Saturday
In recent years there has been a large influx of rappers in to the Glastonbury festival and on Saturday morning it was turn for East London boy Tinchy Stryder, albeit more of a pop act than hardened rapper. His catchy songs were a pleasant start to the morning, but it wasn’t soon long until we left in search of some proper rock at the Other Stage, starting with Reef. It’s a shame to be well known for one particular song, but at least it’s a great one – Place Your Hands went down a treat. Things got heavier next with Coheed and Cambria and the disappointingly small crowd welcomed something different. The band must have been baking in the afternoon sun but the lead singer, a Hurley lookalike from Lost, still managed to blast out a number of familiar and not so familiar songs that metal heads appreciated as much as those who weren’t.
Coheed and Cambria - a bit of metal!
Unable to move due to the extreme heat we stayed for Imogen Heap, who surprised me at least by being English. She was clearly an enthusiastic and talented musician and was actively engaged with all of the other musicians on stage. She also got the crowd involved particularly for Hide and Seek, familiar to fans of The OC. After a walk around the impressive Arcadia, Shangri-La and the Unfair Ground areas we returned once again to the shaded and spacious Small World Tent in Green Futures. We dozed away to Tina Brackman, a British guitarist living in New Zeeland who said her songs always send people to sleep but didn’t seem too offended. She had tragically lost a hand in an accident, but soon returned to music which has been a massive part of her life. Her confident performance and chirpy persona was made it a very worthwhile performance.
The coolest stage at Glasto
After waking up we moved to the Leftfield stage for Frank Turner, along with hundreds of other fans, many of which had already seen him twice elsewhere during the weekend. His popularity was soon understandable as he managed to strike a perfect balance between playing music and interacting with the crowd. Credit must also be given to a young guy called Olly who was picked out from the crowd to play the harmonica and did a fantastic job and a friend of Frank called Barbs who joined Frank for the entertaining Hot Chicks and Bacon Sandwiches.
Frank Turner in the Leftfield tent
The final act of the night was Muse on the Pyramid Stage and the massive crowd were not disappointed with both the music and show offered by this headliner, despite a lack of acrobats, hot air balloons and UFOs (having seen them at Wembley Stadium before)! We were waiting for the inevitable guest appearance at some stage during the set and when The Edge came on and joined them in playing Where The Streets Have No Name the crowd went wild – a fantastic evening which was extended in Cocktails and Dreams, where a guest appearance by Limhal (80s popstar) kept everyone entertained, even if most of us didn’t know who he was!
Muse
Sunday
It was the final day and we were sad to be packing up but glad to not be spending another night in our nightmare pop-up tent. Thank god it didn’t rain – these tents are surely not waterproof! Having practiced putting the tent back in the bag (N.B. it took us almost an hour on our first attempt) we managed to pack it away in a record time of about 2 minutes, much to the disappointment of our friends and neighbours. On route to the car we took a break and watched Paloma Faith on the Pyramid Stage, whilst enjoying some refreshing ice creams from the ideally situated ice cream van. She certainly can’t be knocked for enthusiasm or entertainment value and her soulful and poptastic tunes such as New York and a cover of Everybody’s Got to Learn Sometime went down really well with the early morning crowd. After the stress of carrying everything back to the car we joined 30,000 other fans to the football field near the cinema. There were 50,000 fans in another field near the dance area so it must have been brilliant for non-fans who could enjoy a crowdless festival, at least for a couple of hours. If we won the atmosphere would have been brilliant, but the abysmal result and missing acts such as Slash, Temper Trap and Holy F*** meant that it really was an afternoon wasted. Never again….The rest of the afternoon was spent at the Pyramid Stage. First up was Jack Johnson who was background music to chatting with a friend from Switzerland (apologies to any fans near-by). Faithless then took centre stage and Maxi Jazz seemed overwhelmed with the fantastic reception from the growing crowd who waited in anticipation for classic tunes such as Insomnia and We Come One. We were not disappointed, but a later night time set would have been much more appropriate. The final act of the night and of Glastonbury 2010 was Stevie Wonder, but rather than watch the legend of motown we made our way home to avoid the mass exodus of people at the end. We got home in good time and watched the footage the next day – not the coolest way to end the weekend, but perhaps a rather sensible plan.
The 40th Birthday Glastonbury will certainly go down in festival history as one of the best in history, but then again it is fantastic every year whether you are watching on TV or there in person. It really does have everything to offer – ecelectic mix of music, headliners who are unlikely to play anywhere else, a variety of events going on all day and night and fantastic food. Like any other festival you will always have some fantastic memories and some regrets. Here are a few of mine:
Top acts of the weekend: Frank Turner, Chase and Status, Beardyman, Mumford & Sons and Muse
We shouldn’t have missed: Slash, Mumford & Sons in the John Peel tent, The Temper Trap, Dizzee Rascal, Rodrigo y Gabriela, The Yearner Babies (I really should have gone to see them after meeting a band member) and Toy Story 3 3D Advance Preview (a field full of hippies wearing 3D glasses must have been fantastic)
Next time we’ll give it a miss: England football matches, pop-up tents, the heat (although it’s better than rain) and Radio 1 coverage of the festival on the way home (no live Stevie Wonder!)
Metric @ KoKo
Jul 2nd
24th May 2010
A night of electronic pop awaited as we settled into the crowd for the sole warm up act tonight, Baby Monster. Having never heard of this apparent rising electro-duo, it was no great shock to hear a disctintly average set of indie influenced dancy beats. Vastly underwhelming, their laid back disco was uninteresting and their performance was one of the most lamely generic I’ve heard.
Baby Monster
With high woops of approval in the air, Metric and their frail disco chick front woman Emily Haines entered the fray only to seriously kick out the jams and pack a mighty punch. Jump starting the crowd into life, Metric went straight about their business producing soaring atmospheric sythns, club friendly bass lines and majestically swirling vocals.
Metric
They played through quite a lot of older tunes in the first half of the set, before reverting to material from their superb. highly acclaimed latest album Fantasies. The most rapturous receptions were held for these tunes such as Help I’m Alive (complete with hammering fist actions) and Satellite Mind.
Emily Haines
Their set worked best when they cranked up the guitars and played frantically while the wafer thin Emily was busy winning over the crowd with her jubilant vocals, funky dance moves and blazing keyboard bashing. Their best songs were the big pop-rock numbers which would not be out of place in a huge amphethetre, such is their colossal sound, with Stadium Love, Monster Hospital & Gold Guns Girls all soared and excited in equal measures.
Metric are steadily rising through the musical royalty. Given tonights feelgood show, anyone would be a fool to not to make Emily their Disco Queen!
Camden Crawl 2010: Day Two
May 24th
After an almighty fry-up, 3 non-stop hours of Scrapheap challenge and a bus ride from hell we stumbled back into the Roundhouse to pick up the schedule for day two of the Camden Crawl 2010. After learning from our experience the day before. We felt wiser and at ease glancing over the running order while tucking into some street food delights courtesy of Camden Market. Those Emu Burgers, Seafood Paellas, Samosas, Chow Meins, Tagine’s and Argentinian steak burgers had no chance while we were around!
Refueled ready for a long day ahead we set sail for the Outdoor stage ignoring the bitterly cold wind and the radiating warmth of the pubs. It was a pleasant surprise to find out the trip was worthwhile as we were greeted by the lively Electro Dance duo Dan le Sac & Scroopious Pip.
Dan le Sac & Scroopious Pip
These guys really brightened up the cold air and got people moving with their club friendly grooves. Although we were all a bit too chilly to party like its 1999 it was an energetic enough to encourage us to check out their set later in the evening.
Rolo Tomassi
One of the most intense and insane live bands I’ve ever seen were at it again on the outdoor stage as we approached, post our failure to win comedy sunglasses and an assortment of condiments at rock’n’roll bingo. These guys music can be described as a trainwreck of alternative metal ideas warped with a keyboard twist. Its brash and heavy while guitars are massively complex and slightly jazzy. Where they fail is their vocals. Their firecracker young singer, who despite being a cutesy looking girl suddenly screams nonsense with menace in her eyes, making much of the set inaccessible to most of the crowd. Their new material however brings a more electro vibe and with more angelic clean vocals this could be a turn around for these young kids.
Post having our ears pummeled by Rolo we headed up, somewhat bitterly to the Roundhouse. This is because despite paying for your ticket to the festival, what organizers leave in the small print is the fact you need to buy ‘supplement’ tickets in order to see the festival headliners! What a scam! At £7 a go and 2 headline slots per night, you could end up paying an extra £28 to see bands you thought would see for free. Anything to get more money out of the gig going public!
The Blackout
Good job then that standing in the historic roundhouse that the next band up made the entry fee worthwhile. These Welsh post-harcdore titans played a highly charged set of big riffings, semi-screamed-semi-rapped vocals, epic choruses and all round loud fun!
Their duelling lead singers were pinballing about stage and only broke off to ply some comical between song banter. Crowd participation was high on their agenda leading sing-a-longs to their ballads (Save Our Selves, Top Of The World) and sparking mospits on STFUppercut & Said & Done.
During a mid-song interlude the crowd were instructed to all crouch down…nearly everyone obliged, a rare feat. When the power chords struck the telling bar, thousands of people leaping into the air was a sight to behold. This was a highly entertaining set from a band who have risen to the top fast, on performances like this you can see why.
LostProphets
Winner of the most popular Welsh post-hardcore band though has to go to the next band this evening, LostProphets. Their uncanny knack for writing cracking pop rock tunes which are at equally at ease on the radio as they are in the mosh pits. With a huge arsenal of hits they were firing them off at all angles to the constant pleasure of the crowd. Musically they were great and you can’t fault the songs, yet I expected more.
Having seen them at Reading festival in 2007, they were the welsh band pulling the crowd interaction stunts. Their connection with their audience was not ideal but with the quality of their music it’s only a small blip on an otherwise barnstorming show. Awards for best moshpits go to Shinobi Vs Dragon Ninja, the most pogo’ing goes to Last Train Home.
Here the DoesItRock.net team parted ways… as I headed upstairs at Enterprise to check out a young band by the name of Tubelord, as others went mellowly to the sweet sounds of Emily Barker.
Tubelord
As I waited at the foot of the stairs I pondered whether or not I’d be able to get in given the huge queue that was milling around. Worry ye not as I finally ascended to the smallest venue of the weekend thus far. A tiny area no bigger than a living room with a micro stage and a superbly old sound man who clearly knew his stuff. Tubelord look as if their skipped school to be here but were all the better for it as they produced wildly off kilter rock with a firm grounding in sweet pop melodies.
Their sound was warm, as was their vocals, but these really need to be ampified greatly. Being 2 steps from the stage and not being able to hear the singer isn’t ideal. However when the drummer provided backing harmonies they band were at their best.Everybody in Enterprise were bouncing along (probably because the floor was like that of a bouncy castle…slightly unnerving) having a great time watching this band of immense potential.
Gang of Four
It was with great anticipation that we stood awaiting the return of the 70′s political post-punk rockers who have countless bands claiming them as major influences. With more smoke than a pro-cigarette convention, four outlines could be seen. Lead guitar and vocalist were clearly original band members. Knocking on the door of becoming OAP’s they looked very old in comparison to their youthful dread locked bassist. Still they were the ones who were to bring the ensuing chaos.
They played plenty of their well know hits like Natural’s Not In It, Anthrax, Not Great Men and Damaged Goods each bringing back the spirit of the 70′s disco-rock they helped form. I will say that playing these live sounded much harsher and less pop than their studio albums. It felt that in the run up to the General Election they were venting anger with their performance.
The real talking point would be the antics of lead singer Jon King. He was clearly on something more than a couple of pints of bitter. His eyes were manic and his stumbling was as shambolic as his persistence to destroy both mic stands he had available to him. His roadies were constantly running after him clearing up his debris. During Anthrax he decided to bring out a stage box with a microwave duct taped to it. He proceeded to play percussion on it using a metal baseball bat! A hugely charged political statement if ever i witnessed one.
Just to remind us they were of the 70′s ilk, guitarist Andy Gill decided to do a Pete Townsend and fling his guitar across stage after a feedback heavy interlude. This made the show even more gripping and like a good movie, it was hard to take your eyes off in case you missed anything!
Dan le Sac & Scroopious Pip
We ended the day back where we started it with some more clubbing tunes. This time the bass was heart pounding and the good time vibe was here in abundance. With pip dishing out some serious lyrics and le Sac turning his apple mac into a dance music workshop this really was an entertaining set. They really clicked here tonight and were rightly applauded for their efforts. Without a guitar is sight, this was very different act from my usual fodder, but no less enjoyable for it.
There was a lot of great talent on display this weekend of of that melee we can safely say that we had a great time! All that was said on the ride home was…”Who’s for next year?”
Album Review: MGMT – Congratulations
May 4th
Electro hitmakers MGMT return for their hotly anticipated sophomore LP.
MGMT – Congratulations
RockOSaurus Says:
Listening to Congratulations is like unwrapping a really large shiny Christmas present you saved till last to open, only to find it contains an Air-fix model. The hype has been immense, yet to really enjoy this album you really have to spend plenty of time to ‘learn to love it’.
Gone are all of the elements which made their debut such a hit single machine. No funky keyboards and instantly catchy tunes. Instead they have been replaced with jingly guitars and mundane melodies. Their quirkyness and likability is still intact on tunes such as the rampant standout track ‘Brian Eno’ & the surf electro-pop opener ‘It’s Working’.
But with tracks as dull as ‘I Found A Whistle’ and as bloated as Siberian Breaks (a 12 minute epic adventure) it feels as if they are purposefully being weird for the sake of being weird. Attempting to jettison your current fan base to upgrade them for better models may be cool and hip, but when this record divebombs their third outing must surely improve.
Sadly Congratulations is one to file next to Be Here Now.
Mr Flowers Says:
MGMT return with a concept album, whose concept is to apparently strip out any standout pop tracks. The result is an album a kin to all the troughs of Oracular Spectacular with out any of the peaks. Brian Eno (the track), comes closest to lifting the dullness, a comparatively fun, fast-paced song with 80s punk overtures. The 12 minute marathon that is Siberian Breaks that goes through some distinct phases like some kind of Simon and Garfunkel-gone-prog love child, but never really does enough to grasp your attention.
If you liked the first album you might be able to be a bit more positive with this latest offering, but for those of us in the other camp will find this a struggle.
RockOSaurus: 3/10
MrFlowers: 2/10
DoesItRock Overall Score: 2.5/10
Does It Rock? Februrary Round-Up
Feb 27th
Plenty of great albums were released this month and we here at DiR.net have picked the best of the bunch to bring to you in a handy Spotify playlist! The widest variety of music in one playlist your likely to find!
Listen now >>> DoesItRock.net – Feb 10 Mix
1) Los Campesinos! – Straight In At 101 … Indie at its multi-intrument bashing best DiR? Review
2) Hot Chip – Thieves In The Night … Electro-indiers best track from their latest disappointing album DiR? Review
3) Seasick Steve – Dr Jekyll & Mr Hyde… Steves gravel tones are simply stunning on this cracking blues number DiR? Review
4) The Soft Pack – Answer To Yourself … California fuzz soaked guitars make for an uplifting tune
5) Story Of The Year – To The Burial … Chest thumping rock anthem king kong would be proud of DiR? Review
6) Swanton Bombs – Who’s Asking? … Ranshakle riffing and DIY ethics from this promising bands debut LP.
7) Chow Chow – Suits Like Animals … Re-release for this superb slice of indie rock spiced with electro fun and melody
8) Priestess – Raccoon Eyes… Take the trip back to the 70′s for some scorching Sabbath riffing DiR? Review
9) Plastiscines – Bitch… Spiked garage pop from thes french youngsters, their image is one to savour!
10) Kashmir – Intruder … Beautiful melodies and subtle guitars line this laid back rocker
11) White Rabbits – Percussion Gun … Ample druming drives this near perfect understated indie rocker!
12) Fair – Disappearing World … Mid tempo pop number is as catchy as it is american.
13) Scanners – Jesus Saves … Dark poppers Scanners take a soar towards the light with this sparking tune
14) The Sunshine Underground – Spell It Out … New tangent direction produces at least one fine indie electro rocker
15) Bigelf – Madhatter … Imaging Led Zep with Pink Floyd holidaying in Wonderland, awe inspiring heavy prog rock
16) Taking Dawn – Take Me Away … Breaking band from Roadrunner Records mix metal, glam, with attitude to produce a stonking rocker!
17) Close Your Eyes – xChet Steadmanx … Post-Hardcore lads take on a pop-punk sound, suprisingly it works!
18) Fight The Empire – The Truth Is Out … New British band with some great riffing on the title track of their Debut album, watch out for these guys!
19) Wakey!Wakey! – The Oh Song … Plenty of Ohs on this piano stomper from a star of the american tv show One Tree Hill
20) Cobra Starship – Pete Wentz Is The Only Reason We’re Famous … With Fallout Boy saying farewell, here’s a tribute to their enigmatic bassist on this months Pop Punk Antrhem!
Album Review: Hot Chip – One Life Stand
Feb 21st
The uk electronic ensemble are back with their third album.
Hot Chip – One Life Stand
RockOSaurus Says:
‘Emotional Adventures in Meandering Electroland’ is a much more suitable title for this underwhelming Hot Chip release. It has stripped out the idiosyncratic dancefloor genious of its previous releases, leaving One Life Stand to become inredibly serious and intense lyrical album, more likely to start a boredom induced coma than a tubthumping party.
Tracks of merit are few and far between, the calypso steel drums get a bonging & the star trek phaser effect gathers some interest on the title track, plus album opener Thieves In The Night has some funky upbeat melodies. Just incase you started to overenjoy the album, on I Feel Better they fire up the damned aweful autotune which is plaguing terrible pop singers everywhere to level the balance.
This album will leave many fans reeeling and many a critic raving. Depending on which side of the fence you lie will determine whether you find this a classic release or an uninspiring one. Watch for the remix album!
Mr Flowers Says:
Hot Chip have hit on the novel idea of creating an album of electro, dance-inspired pop with no danceable rhythm. It seems you have to wait forever for songs on this album to get going. Sometimes they aren’t bad when they do finally get going but more often than not they disappointingly never do before the next track starts.
Alley Cats is alright by time gets into it’s 4th minute, and I Feel Better is not bad if you can forgive the autotuning, but unlike their previous releases there are no stand out songs on this album to rescue you from the passionless drone and the repetitive beeps that is the sound of Hot Chip.
RockOSaurus: 5/10
MrFlowers: 5/10
DoesItRock Overall Score: 5
Listen to Hot Chip – One Life Stand now on Spotify!
Album Review: Hadouken! – For The Masses
Feb 8th
Nu-Ravers Hadouken! return with their difficult second album.
Hadouken! – For The Masses
RockOSaurus Says:
Cool name and a cool sound will only get you so far. Good thing then that Hadouken! As one of the leaders of the Nu-Rave pack return with a surprisingly enjoyable album. There are plenty of social commentary witticisms, funky dance floor fillers, rapping and electro/rock crossovers to get even the dullest party started. Album highlight Turn The Lights Out is laced with youthful badditude and disco genius.
Once it has your full attention, For The Masses doesn’t do enough to keep it. Variations on their self defined theme ultimately lead to repetitions of the same ideas and sounds, making it a struggle to get through in one sitting. Unless of course it’s Friday night, you have your best clobber on, readying for a night on the tiles with a living room dance party. Sadly on a dull Friday afternoon in Central London, this album is best savoured in bite size chunks.
Mr Flowers Says:
Hadouken’s dance/Grime combo will always carry a lot of energy, bite and floor-bouncing potential no matter how they tweak it, but the increased use of irk-some Linkin Park-style singing interludes starts to dilute their sound, and the numerous wayward songs (and REALLY wayward songs; I’m looking at you especially, Lost…) towards the back-end of the album go some way to ruin a once seemingly foolproof musical formula.
RockOSaurus: 6/10
MrFlowers: 6/10
DoesItRock Overall Score: 6
Listen to Hadouken – For The Masses now on Spotify!
DoesItRock? January 2010 Round Up
Jan 31st
It’s not typically a good month for new music, but we’ve been scouring the new releases for the best new music of the new decade to bring to you. We have thrown in a few of our favourite tracks for good measure too!
Listen now >>> DoesItRock? – Jan 10 Mix
1) OK GO – White Knuckles … One of the highlights from a pretty leftfield release: DiR? Review
2) Motion City Soundtrack – Stand Too Close … Happy sounding / saddening lyrics wrapped in perfect sugar coated acoustics wth such an immensely catchy melody: DiR Review
3) TAB The Band – Left For Dead In Hilton Hotel … Blast of infectious garagey blues rock from Joe Perrys offspring.
4) Delphic – This Momentary … Big buzz band prove they ar up to the expectation heaped upon them: DiR? Review
5) Eels – Paradise Blues … Poppiest offering on E’s latest downbeat album End Times: DiR? Review
6) Adam Green – Goblin … Short Guitar ditty from anti-folks main man. DiR? Review
7) Citay – Fortunate Sun … Folk centred classic rock with a led-zep swirtling beauty and harmonious intrumental genious.
8) Cold War Kids – Audience of One … Piano stomp taken from their Jan released EP Behave Yourself
9) Spoon – Is Love Forever? … Spiked guitar line mark this lively indie rock tune from latest album Transference
10) Brilliant Colors – Motherland … Uplifting indie guitar rocker with scrambled blurbs of vocal action
11) Laura Viers – July Flame … Beautiful melody and an angelic voice, sit back, relax and drift away…..
12) Lost Prophets – Where We Belong … Thundering pop rock single from the returning welsh rock masters.
13) You Me At Six – Playing The Blame Game … UK pop punk is in safe hands with You Me At Six at the wheel.
14) Hadouken! – Turn The Lights Out … Nu Rave isn’t so much new anymore but can still pull off a catchy pop/electro/rock/rap crossover tune.
15) Manic Street Preachers – Me And Stephen Hawkins … Classic Manics from last years incredible LP Journal For Plague Lovers
16) The Wildhearts – Jackson Whites … Ginger and co. go all mettallica style on this cracking rock number!
17) Japandroids – Rockers East Vancouver … Alternative indie rock from superb sounding canadian duo.
18) Devendra Banhart – 16th & Valencia Roxy Music … The folk stalwart returns with a surprisingly upbeat pop song.
19) The Last Vegas – Whatever Gets You Off … Motley rock and roll from these superb sleazed up hard rockers.
20) All Time Low – Weightless (Acoustic) … Uber catchy tune superbly reworked, Pop Punk Anthem of the Month!
Album Review: Delphic – Acolyte
Jan 19th
Debut LP from Manchesters Delphic, hotly tipped for big things in 2010.
Delphic – Acolyte
RockOSaurus Says:
Step back to the golden electro era with Delphic and their huge array of techno samples matched to swooping melodies. When combined with their subtle guitar backed rhythms provide a superb euphoric backdrop. Clean cut vocals scythe through funk loaded synthesisers producing some seriously 80′s style!
When they ramp up the dance floor ante they come alive like on atmospheric trance clubbing vibes of sound that is the title track Acolyte. Sadly the majority of the tracks drift into floaty swirled masses of electro noise perfect for that lazy evening you had planned. Acolyte is an anthemic listen, it surely won’t be long before Delphic are the soundtrack to your friday night!
Mr Flowers Says:
An album of electronic blips and steady drums patterns. Many of Acolyte’s songs show a band deft at building music and sounds to a swirl of swaying keyboard noises and powerful drumming, backed by melodic lyrics. It’s a tried and tested formula which they stick to studiously.
It’s difficult to pick holes in an album so consistent in providing amiable songs; Counterpoint is instantly accessible and best demonstrates their appeal, yet looking back through the tracklisting album opener Clarion Call, Acolyte and Halycon are all equally good. All in all, it’s an assured debut album from Delphic with enough single-worthy material to make them one to keep an eye on.
RockOSaurus: 6.5/10
MrFlowers: 7/10
DoesItRock Overall Score: 6.75
Listen to Delphic – Acolyte now on Spotify!
