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Pulled Apart By Horses & The Computers @ The Electric Ballroom
Mar 21st
Pulled Apart By Horses & The Computers @ Electric Ballroom
23rd Februray 2012
Mr Flowers has fallen sadly behind the times over recent months, as evidenced by his album backlog stretching back to the summer of 2011. But thankfully his desire for live bands hasn’t faltered. So as we settle doan at The Worlds End for the Camden pre-pint ritual, it’s no shock to learn Flowers has no idea who is supporting. “The Computers! Wow! I didn’t know that! that’s awesome!!“, cue reminiscence on how we sadly missed them at Camden Crawl 2011 and how he still hasn’t heard their debut LP (no surprises there then). No time to waste then as we struck out, eager not to miss out, which turned out slightly enthusiastic given the first support slot went unfilled. All of a sudden the PA system flicked, circa 1955, retro rock and roll blaring…this signaled the imminent arrival of The Computers.
Band uniform’s are an overlooked weapon in the style arsenal as coolness tends to trump novelty. The Computers, fully clad in white shirts and trousers looking a bit like fellow garage rockers The Hives, embrace it. It’s rare to witness something genuinely unique and I am stumped to think of another band who have taken vintage rock n’ roll and blues and channeled it through hardcore punk to create the “Hardcore Blues”.
The Computers
Niche? yes. Good? absu-bloody-lutely! High octane throaty yelps, mixed up over clean backing vocals with riotous guitars thrashing out blues by-numbers melodies make a contagious combination. They play with force and confidence, bounding about stage barely confined by the lengths their instrument cables will take them. Lead vocalist especially has itchy feet as he played from atop of the speakers, on the barrier stage front and more impressively from 50ft back in the crowd. With the cables strung high by some thankfully tall fans acting as makeshift pylons the crowd closed a tight circle around him buzzing in the energy on display. The crowd themselves had seemingly endless energy tonight which made for a corking show. you know when a 20ft circle pit opens up for the support band, you know it’s gonna be one of those nights that you feel lucky to escaped bruising.
Their short sharp 3 minute blasts of inferno blues guitar and rootin’ tootin’ honky tonk piano punk were just stunning, their best being the thrusting “Music Is Dead” and soundtrack to a bar room brawl “Rhythm Revue“. Look out for these boys, they play hard, fast and take no prisoners…just how we like it!
After such a grand opening, it was a tough task to trump. Yet Pulled Apart By Horses went about the task, bit between snarling teeth, as they cranked up the ante one more notch. The crowd again didn’t waste any time in forming smash pits even bigger than before, causing carnage and chaos throughout the entire set. PABH’s alt-metal thunder was epic tonight; their hulking great guitar riffs and giant pounding drums were each on top form.
They plucked plenty of material from their newly release album Tough Love which despite its recent addition to their catalogue sparked furious sing-a-long and energetic reactions from where I was standing. Although it was slightly slower in tempo, their melodies were much wider in scope giving their tunes an added depth. Especially as the big wind-up release guitar rockets are still abundant, yet lie deeper into their songs. Lead single “V.E.N.O.M.” the pick of the newbie’s, unleashed frenzied vocals and an unstoppable melee of fret runs, crescendo’s and breakdowns.
Pulled Apart By Horses
Of course the first album favourites succeeded in unleashing the greatest crowd lunacy, resulting in a twisted sea of bodies enveloping over half of the venue. Set closer “High Five Swan Dive Nose Dive” started a chaotic riot, “The Crapsons” sparked grown men to sing at one another and “I Punched A Lion In The Throat” with its Zepp’ riffs and calls of “Ultimate Power” is befitting for one of the best and most powerful live bands around. Their confidence has been buoyed since the last time we witnessed them, if they have been getting this kind of reception up and down the country the it’s easy to see why.
The guys even had time to throw in a Nirvana cover at the death, “Tourettes” which suited their dirty fuzzed guitars and ear pummeling ethos. Tonight was the best show I’ve been at for quite some time. Madness reigned, but ultimately that’s what made it so addictive!
The Virginmarys and The Trews @ The Garage
Mar 17th
6th February 2012
Our first band of the night had something of a personality crisis. To the un-informed this foot stomping fuzzed up blues trio kicked off as Mad Dog, playing some perky little riffs leaning heavily on the led zep wall of sound. But by mid set their vocalist/lead guitarist announced “As you know we have changed names” we are now called Born Mad. Was news to me, but thankfully their name change didn’t change the path of this really bright set of catchy numbers driven by enigmatic vocals and bold blues riffing with the occasional wandering voyage into trip-out psychedelia.
Mad Dog/Born Mad (or as Trews guitarist thought…Porn Mag!)
Far from being a “new” band, The Trews have been on my stereo since their brilliant 2003 debut “House of Ill Fame“, which still ranks as one of my favourites. Not forgetting they were nominated for ‘New Group of the Year’ at the 2004 Juno Awards! To see them subbing on the bill in a new music showcase is rather disappointing, but I have to count blessings as this is the first time I’ve managed to get to one of their precious few London shows.
The Trews
Showcasing their straight up non-nonsense, chorus driven pop, rock and roll, The Trews won many new friends this evening. Their songwriting was a clear head and shoulders above the rest of the night’s bands, providing thunderous guitars, immensely catchy sing-a-long moments and a fizzing lead guitar solos too boot. Songs such as the corking rocker “Misery Loves Company“, and the swaggering “So She’s Leaving” showed their talent for penning great riffs, while vocal centric bluesy strutters “Not Ready To Go” and “Poor Old Broken Hearted Me” had infectious melodies stamped all over them.
Their experience was evident as they inherently went off script with extended guitar solo’s (for which John Angus MacDonald routinely took up central stage rock god positioning,) intimate crowd/band banter and whole hearted crowd participation antics led by front man Colin MacDonald. These tunes were simply huge for a tiny venue such as this, but then after years of playing shows in their native Canada, this should not have been a surprise. Essentially this was a fantastic set of rousing popped up rock, all I’d hoped it would be.
Tonight’s headliners The Virginmarys are in fact making quite a name for themselves. After we caught them at the Forum supporting Ash in 2011, we couldn’t get enough, hence we back for more. The second blues trio of the night had a tough bill to top, but they set about their task with vigor and passion. The great thing about them is that they are so eminently watchable. With three excelling musicians on display from the driving bassist, the ecstatic drummer who smashed the skins with severe warrior like blows and the hazy front man on guitar and vocals piling on the riffs and saturating the air with rough and ready vocals, careering from deep and soulful to range busting howls.
The Virginmarys
Each song steeped in the blues managed to grab either the attention with either a cracking vocal melodies or a treat from their over-stocked arsenal of rawkus guitar licks. all hot and bothered “Bang, Bang, Bang“. A surefire hit already within the rock scene, let’s hope the Virginmarys go on to deliver the debut album we’re all waiting for!
Album Review: Foxy Shazam – The Church Of Rock And Roll
Jan 25th
How does the follow up to doesitrock.net’s 2010′s Album of the Year shape up in 2012?
Foxy Shazam – The Church Of Rock And Roll
RockOSaurus Says:
Foxy Shazam have taken their foot off the gas on their latest LP, leaving post-hardcore and rip roaring glam-rock sprawled over the trail. Hence it’s no great shock to hear that their latest album curbs the highly energised oddball glam-pop prevalent on releases. As a result the tempo has been significantly reigned. Yet they have made up for this by producing a fine collection of super sing-a-long pop classics with eclectic songwriting and equally varied melodies.
This slackening of pace has given their melodies a chance to sit back, take a breath and enjoy the spotlight. Resulting in a much more focused pop record that falls ever further into the Mercury valley of Queen with its accompanying classic rock guitars and jaunty piano’s circling ‘The Church Of Rock and Rolls‘ vocal centric ideal. The Churchy theme is prevalent throughout with the recurrence of religious track titling, soulful Gospel backing vocals and confessional lyrics (see ‘The Temple‘, ‘The Streets‘, ‘Forever Together‘ respectively).
From the instant the guitars properly kick in, it’s clear as day that Justin Hawkins has played a huge part in his role as producer. The guitar tone is almost identical to his in-limbo band Hot Leg, no bad thing as it’s just so stonkingly rock and roll! The Hawkins brothers influence doesn’t end there either. The Guitar work on the excellent driving rock anthem ‘Last Chance At Love‘ could easily be a lost forgotten The Darkness classic, especially when Nally lift his fine falsetto skywards…it’s strikingly similar, yet definitely different.
Throughout this record the vocals are the centrepiece, with Eric displaying a fine range of smooth croons , anthemic chorus lines and window smashing pitch changes. Maintaining innovating melodies, rarely sticking to a certain style, or mood, or instrument ensures this album never gets tiresome as it’s forever on the move. Exhibit A, Holy Touch: a big gospel romp-a-stomper, Exhibit B, Wasted Feelings: full of dynamic guitars, cool vocal effects and trumpets, Exhibit C: I Like It: vocal centric with bombastic melodies.
So a more laid back Foxy have re-surfaced, but all the delightfully odd characteristics, bonkers eclecticisms and natural born melody making abilities that made them so addictive in the past, are still here for all to enjoy. My only gripe would be the final few tracks do not stand up to the quality of what came before it.
TCORAR is first and foremost a great little pop record, with hard glam-rocking tendencies spontaneously wrangling for the control switch. An early treat for 2012!
DoesItRock Overall Score: 8.5/10
Listen to Foxy Shazam – The Church of Rock and Roll now on Spotify!
Heaven’s Basement @ The Borderline
Jan 21st
21st December 2012
As a little pre-Christmas gift from Heaven’s Basement, the boys decided to put on a donation only charity gig for Teenage Cancer Trust at The Borderline. Fresh from recording out in LA post signing a deal (hurrah!!! Finally!!!), they took this opportunity to test out some of their new material. Although, not before the supports had sufficiently warmed up the crowd.
Raven Vandelle
Raven Vandelle are a brummy Alt-Rock band who like a good detuned guitar riff or two. Songs were solid and the vocalist was pretty, good blasting out some impressive highs and rocker growls, yet there was something missing. The sparks failed to ignite their songs, as it felt everytime they should have cranked up one more notch, a slow grooved melodic guitar solo appeared. Mostly mid tempo was where they were at their best, but their lack of urgency faltered them. Promise shown, a little more work on the live set required.
Dear Superstar
A ha…Dear Superstar…we meet again! It was third time lucky tonight as i confess to really enjoying their set. Probably because their cocky front man got down to doing what he’s employed to do, sing! Less posing and more power in both their ethos and guitar work has paid dividends. Kicking in some flashy duelling guitar lines while retaining a melodic post-hardcore feel, gave their new songs a lift, showing them to be a pretty damn good rock muscle machine. Vast improvements have been shown by this band, their transformation is remarkable.
Dear Superstar
Back from LA, the laid back sunshine state has taken away none of their enthusiasm as they fire straight back into action with Tear Your Heart Out, leading the charge. The venue had filled up considerably as a swollen sea of faces had arrived for doesitrock.net favourites Heaven’s Basement. Fledgling singer Aaron has come along way since his last performance. He was assured, confident and assertive as he strutted around stage with vigour and purpose (he even managed a stage dive late on). But yet again his vocals didn’t feel strong enough to overpower a Marshall backed assault, yet through the softer moments his voice shined (despite his hair not resembling a cross between Toploader and the hair bear bunch).
Heaven’s Basement
The most surprising vocals of the night go to superstar axe man Sid Glover (who’s up for a Pure Rawk Award 2012 alongside Drummer Chris Rivers!!), when his snarling tongue got to grips with the sleazy thunder roaring number Paranoia. I would even go so far as to say they were best vocals of the night! Backing this claim he sung another new tune brilliantly, showcasing his vocal prowess even further.
Sid Glover
The new tunes aired this evening had a definite bluesy swagger to them, such as the slightly oddball lyric’d Green Elephant. Its foot stomping riffs and soaring vocals showed a slightly more mature sound…although the flaring guitar solo was unmistakably another HB classic.
Aaron Buchanan
So their new songs sound great, their image has been overhauled, they have signed a record deal with Red Bull Records, their live shows are as kick ass as ever…finally the Heaven’s Basement boys are starting to fulfill their potential. Look out! As they ready themselves to unleash a well overdue assault on the UK Hard Rock crown!
Frank Turner @ Hammersmith Apollo
Jan 7th
27th November 2011
Two very different acts were in the supporting bill this evening, one mellow one manic! The beautiful Aussie folk of Emily Barker and the Red Clay Halo was up first. 4 striking ladies stood caressing evocative melodies from their instruments of choice. Most combinations of cello violin and guitar and voices are bound to be harmonious and these girls were no exception. Their catchy little tunes were rather good easy listening ditty’s, pleasing all the plus ones in the house (of which there were many). The second support was a swing in the opposite direction, towards Turner’s younger anarchic punk days. Not one for the faint hearted/un-initiated.
Emily Barker & The Red Clay Halo
Against Me! proclaimed as one of Frank’s most idolised punk bands came out kicking and screaming with all gun blazing making one hell of a guitar fuelled storm. Their recent records have been polished pop rock efforts with soarer chorus’s…tonight it was back to their punk roots as they barely took breath between songs all night. They crammed an improbable amount of high octane material into the set, providing a rockin’ runaway train which never stopped a rollin’.
Their fast, loud and loose ethic was the polar opposite of Barker that initially only engaged the hardcore punk fraternity stage front. By the end, even those plus ones were toe tapping (well some of them…generally while covering their ears).
As this is the fifth time of watching Frank, You would think I’d pretty much covered all of what he has to offer. Granted the usual courageous chorus of crowd voices singing every word was here in full force, as was his beautifully honest sentiment and superbly arranged live versions. For tonight I’m focusing on what was different and new in his repertoire, the evolution which keeps his band of followers coming back for more.
Not content to sit back on his laurels frank has continually improved his shows and his songs. He aired a new unreleased song called Cowboy Chords just because he thought it was time to play it. It was an emotional and sparce tune set to one acoustic guitar that showed off his prolific songwriting spirit and desire to play live music! His reworking of old tune Fathers Day was beautifully poignant and desolate, more in line with the sombre lyrical content.
Frank Turner
As expected he plucked a fair few tunes from his latest album, songs which were destined for venues such as this. Huge arrangements of multi-instrumental melodies were frequently backed by Emily Barker and the Red Clay Halo adding a soft backing chorus of sweet vocals. Against Me! Even joined in on Franks atheist gospel song Glory Glory Hallelujah. This song was probably the biggest polarising point of the night. His spirited speech on religion (or non-religion in his case), was rather preachy, almost as if he was here to convert the fans to his beliefs.
He told us of him sitting outside on the steps of this very venue, dreaming of playing it one day. Usually this ‘I was like you’ nonsense is nothing more than a ploy to get the crowd in their corner. But with Frank I am absolutely inclined to believe him. He does not mix his words, and the ones he chooses are straight from the heart. He came…he rocked…he conquered Hammersmith.
Does It Rock? Awards 2011: The Winners
Jan 5th
Sadly all of the award winners cannot be here to accept these awards, but feel free to get in touch to send your acceptance speeches any time!
Find the Nominees here!
Does It Rock Live Awards 2011: The Winners
Best Gig Performance
Winner: Jim Jones Revue (@ KoKo)
For this special live performance, a slice of the good ol’ days of rock and roll armed with two tone shoes, rockabilly style and jiving dancehalls was transported to north London. Everyone was swinging along to the amped up retro-blues party and all round great show brought to us by the Jim Jones Revue. A blistering live band who are impossible not to love, time and time again!
Best Festival Performance
Winner: Coldplay (@ Glastonbury)
As expected Coldplay’s live show is immense. But this one really surpassed expectations kicking both Beyonce and Bono into row z. A heady mix of classics and the new electro sound worked wonders as I fell back in love with a band who can probably now consider themselves among the greatest on the planet.
Best Song
Winner: Executioners Day (Heaven’s Basement @ Underworld)
On three different occasions we sampled this classic rock thumper. Each time better than the last! Its new extended live format the bridge melody now extends to a sample cover of RATM’s Bullet In Your Head, genius stuff! With their debut album on the horizon it’s long overdue release on the public at large is imminent. Hold tight world!
Best Venue
Winner: The Lexington
A great selection of beers in the cool hangout downstairs bar that’s never overcrowded and a superlative intimate venue up above wins this award hands down. There is no better place to catch a band in London!
Best Crowd
Winner: Death From Above 1979 (@ The Forum)
This over-enthused bunch were chomping at the bit on the much rejoiced return of the fuzz punks first London reunion shows. Bodies flying everywhere, uncontrollable dancing and more bustle than a half price sale at Selfridges. Mad, but great!
Best Festival
Winner: Glastonbury
The reasons are endless…there is simply too much to enjoy. All night bars, disco’s, side acts, crazy post-apocalyptic late night party zone, chill out area’s and fantastic food. This is before we mention any of the music. Worthy Farm is the spiritual home of the Music Festival, long may it reign.
Best Festival Anthem
Winner: One Day Like This (Elbow @ Glastonbury)
A totally brilliant set from elbow was massively endearing and full of emotional heartwarming tunes to swell the heartstrings. This had nearly everybody on the festival site singing in harmony, a great moment of joy (helped by the appearance of the sun !)
Best Frontman/Vocalist
Winner: Tim Harrington (Les Savy Fav)
Not so much for his singing though, this guy is a loony tune of epic proportions. His antics are chaotic, borderline insanity but you seriously can’t take your eyes off the man. Mesmerizing!
Best Guitarist
Winner: BB King
After his short waddle to his seat this old school legend showed everyone how to be the master of guitar. Beautiful staccato and hugely emotive string bends took centre stage during this set of pure blues magic.
2011 Spotlight Awards:
The “Waahahaaay Over The Top” award for exuberant Showmanship:
Winner: Saxophone Solo and Karaoke in the Crowd (Datarock @ The Garage)
You have to be pretty mad to start a karaoke sing-a-long to dirty dancing’s Time of Your Life. But to do so entirely in the crowd not forgetting the sax solo is on a different level. Showmanship and cheese collided in a truly unforgettable moment.
The “Eyecandy” award for the hottest woman of rock
Winner: Charlotte Hatherley (Ash)
Her triumphant return to the Ash fold proved that girls can truly rock with the boys, whilst adding that sprinkling of glamour!
The “Turned to 11″ award for the Loudest set
Winner: The Qemists ( @ Camden Crawl)
A shoe-in for this award were these Drum’n'Bass rebels after they blew up their rigs two songs into the set. They played not just for the Camden crowd, this show was audible nationwide!
The “I can’t believe I saw that” award for the Most Unexpected Gig Antics
Winner: The Balcony Climb, Crowd Demolition Derby and Bat Hang (Les Savy Fav @ Heaven)
Tim Harrington’s crazed antics took in a ride on a box on wheels at simply frightening speeds through the crowd (all with wired mic!). Then with the help of leg-ups and frantic pulling he clambered up onto the balcony, whereby he decided it was a good idea to hang over the edge backwards with a few burly guys holding his feet. Madness personified!
The “WTF??” award for the most unusual crowd Antics
Winner: Glo-Stick Assault (Les Savy Fav @ Heaven)
Another award for Tim Harrington, this time he gave the crowd permission to go crazy by lobbing a huge box full of glo-sticks into the crowd. Cue a glo-stick tsunami as they were catapulted around the room, at the band, at the security guards and at each other. Strangely beautiful to watch, but also quite dangerous to stick your head up for fear of flying luminescent projectiles.
The “Is that a…” award for Most Random Stage Prop
Winner: A Lighthouse (The Joy Formidable @ The Forum)
What on earth a Lighthouse is doing on a Kentish Town stage I will never ever understand…answers on a postcard please!
The “Fashion Disaster” award for Terrible Style
Winner: Yeti Jacket, Leather, Indian Headgear, Masking Tape Bikini, Face Paint etc… (Tim Harrington)
Tim’s shelf will be bulging now as his style also wins an award. Bizarre outfits, numerous changes and outlandish extravagance.
The “Do Not Enter” award for the worst gig Venue
Winner: KoKo (For extortionate beer prices and bad setlisting!)
Irked by the recent poor showing of this venue and it’s pricing and scheduling, KoKo despite its nice paintwork is the most underwhelming venue from 2012.
The “Ouch My Ears!” award for the worst Performance
Winner: Divorce @ Camden Crawl
These Glaswegian girls were absolutely hideous! They made a god awful, intolerable arty tripe which barely classifies as music. The worst performance of 2012 by a country mile!
Tracks of 2011: A Retrospective
Jan 2nd
Now our favourite albums of 2011 have been decided, that leaves only the small matter of the best songs. As I have been checking out vast swathes of new music it has become incredibly difficult to even begin to whittling the list of great tunes down to a reasonable number. Hence this year I’ve tried to chronicle the songs that have been top of my pops. Instead of the usual un-ordered list, here follows a vague timeline of awesome songs to keep you rockin’ through 2012. As usual though we have spotlighted those which shone brightest!
Spotify Playlist
>>DoesItRock Retrospective … 2011<<
Dananananaykroyd – Muscle Memory …Toning down their signature oddball sound ever so slightly they have created starkly addictive pop tune with singalong credentials, yet without relenting their indie sensibilities.
British India – Safari … All inhibitions are unleashed on this fuzz fuelled scorcher. Vigour, energy, two tiered passive/aggression, all over a punchy punk melody and wailing string bends. Short sweet and exhilarating.
Fair To Midland – Rikki Tiki Tavi … Imagine standing at the crossroads of epic progger’s Porcupine Tree when along rolls System of a Down’s complex guitar melodies with Disturbed vocals stacked in the back. Bold, beautiful an brazen all in one superb prog-metal classic.
Black Spiders – What Goods a Rock Without A Roll … Rolling drums and spiralling guitars unleash in the build up for this hard rocking behemoth. Big riffing, mellowed bluesy interlude, expert wahhed melodies and the most badass lyric of the year (‘Eat thunder, Shit Lightning!’) combine in one heck of a rock and roll storm!
Heaven’s Basement – Unbreakable … This kick starts a new era with powerful unbridled energy and a youthful exuberance for pulsating hard rock! Massive melodies, huge riffs and a scorching solo drive this incessantly infectious tune. New album on the way, watch out!
Rose Hill Drive – Baby Doncha Know Your Man … Take a trip back to the fuzzy psychedelic days with Rose Hill Drive for a rocker soaked in retro charm.
Steel Panther – 17 Girls In A Row … No shame, balls out, lewd lyrics and 80′s hair…but man does it rock! Delightfully un-PC!
Times of Grace – Willing (Acoustic) … When metal-core gets a melodic makeover in the hands of Times of Grace you have beauty and beast entwined in a stunning grapple. This track sees the beauty win out, as complex riffs are beautifully ported to the acoustic guitar!
Crazy Arm – Bandalito … Bass thunders and the cannons roar to the red hot guitars of high octane Brit folk-punks Crazy Arm. Emphasis on vocals and a recklessly temperamental tempo makes this one of 2011′s unsung gems.
The View – Grace … The view create another smashing pop hit single. They have a knack for those simple catchy riffs that nag on your brain.
Frank Turner – Build Me Up Buttercup …Turner shows has the gift of creative reinterpretation with his cover of the four tops party classic. His version is despairing, and tortured, with his expressive vocals conveying the true meaning of the song. A classic reworked beautifully!
Set Your Goals – The last American Virgin … Rapid fire vocals, soaring chorus, fiery palm mute power chords, driving bass, melodic riffs…everything ticks my pop pink boxes! Pop Punk Anthem of 2011.
The entire playlist is available to listen via Spotify:
Spotify Playlist
>>DoesItRock Retrospective … 2011<<
Albums of 2011: 10-1
Jan 1st
It’s time to complete the countdown of DoesItRock.nets favourite albums of 2011…
10) Mastodon – The Hunter
Prog metal kings Mastodon’s latest LP is by far their most accessible, weaving a path of destruction though chunky heavy metal grooves, gorgeously powerful backdrops and infectious melodies. The mix of super smooth clean lyrics and snarling tongue lashings are superb as each track flips from lightning fast metal riffs to thunderous hard rock in an instant. Mixing up their sound with meandering prog-outs, straight laced rockers and metal assaults this album has much to offer all music lovers. Simply put, there was no better metal in 2011.
9) The Treatment – This Might Hurt
Ok, so technically this is a re-issue. But it is very rare that you get a chance to make amends for overlooking an album within its release year. Bolstered with a handful of brilliant bonus tracks, This Might Hurt screams like Aerosmith, drinks with Gun’s n’ Roses and parties like Motley Cru. Good old fashioned rock and roll is safe in their hands as they combine huge Marshall backed riffs with classic rock solo’s and catchy ass vocals. If you’re looking for a big time rock and roll album of head banging, balls to the wall and drunken debauched anthems. The Treatment are all the medicine you need!
8) Frank Turner – England Keep My Bones
Frank’s Turner esquire, punk poet laureate extraordinaire has focused his lyrical eye towards his homeland, producing a fine folk album with stadium ambitions. Slightly faded are his everyman tales, replaced with beautiful compositions and ever growing confidence to write bigger and better than the last. This album has shown his adept ability to write lyrics close to his heart, retaining his honest Englishness while his musical arrangements reach for the skies. There are no better melody maker alive, and no better man to lead a sing-a-long with his utterly impassioned delivery. England Keep My Bones signals a significant step up.
7) The Rural Alberta Advantage – Departing
A hugely underrated album which I keep on coming back to. Its graceful and beautiful in its soothing softness backed with folky nasal vocals which are oddly fitting to their sound. This is not a happy album by any imagination stretch, feelings of isolation, despair and mellowness are present throughout. Yet when they crank up the dials and start to unleash some energy with crashing percussion and thrusting guitars their outstanding melodies take centre stage. A delightful album of perfectly staged catchy tunes that are emotionally fraught and honest.
6) Maybeshewill – I Was Here For A Moment, Then I Was Gone
Strings and Guitars gleefully unite on the most stunningly beautiful album on this year’s countdown. This collection of instrumentals send soaring violins crashing into waves of guitar noise and sends fizzing electro keys flying into epic cymbal smashes. When these elements all collide in one huge melodic crescendo, there is simply no better sound of 2011. Sit back and bask in it’s magnificence!
5) …And You Will Know Us By The Trail Of Dead – Tao of The Dead
This year,… AYWKUBBTOTD have never ventured far from the play button. With repeat listens this album just gets better, revealing new melodies each time or a new favourite track dependent on my mood. Their ability to retain their melodic groove throughout some apocalyptically massive prog-outs of guitar noise is hugely enviable. Tao of the Dead, once you give it a fair shot, will mesmerize you too.
4) Black Spiders – Sons Of The North
UK’s new rock heroes finally dropped their debut album in february, and my word…it ROCKS! Tongue in cheek lyrics and a huge sense of fun only increase my love for this album, one that’s already steeped in humungous melodies and no-nonsense all out attack guitars. Every song is a winner, from bluesy swaggers, recklessly energetic romps to foot stomping plunderers. Black Spiders wear the Hard Rock crown of 2011!
3) Foo Fighters – Wasting Light
After a couple of rather dull albums of run of the mill pop rock, this years return from the Foo’s billed as a return to roots was a welcome addition to their catalogue. True to word, from the very first tune the guitars are cranked up, the vocals are in attack mode and the amps are set to 11. Taking the best of the Foo’s arsenal of pop rock melodies, memorable choruses and high octane rock power, Wasting Light sees the return to form we’d been dreaming of.
2) And So I Watch You From Afar – Gangs
For the second year in a row, a debut album reaches #2 on the countdown with this offering from Northern Ireland’s Post-Rock saviors ASIWYFA. This album full of super tight instrumentals takes slices of metal, rock, prog, pop and post-rock and amalgamates them into a glorious storm of musical storytelling. Astounding guitar harmonies range from super technical metal to the ambient melodies, driving each and every tune. The lack of vocals doesn’t seem to matter as intricate instrumental interplay feeds this addiction. All that’s left is to sit back, be blown away by the often brutal, often beautiful but ever-infectious grooves of Gangs.
1) Fucked Up – David Comes To Life
David Comes To Life is such a brilliant rock record that it most definitely deserves it place at number 1 this year. Looking through a critical eye, it’s hard to fault this inventive concept album on its epic 80 min scope, unbridled energetic outbursts and for bringing hardcore punk back into fashion. For me this was an album which has some of the most infectious guitar melodies, choc a block with wall to wall riffs, thunderbolt drumming and angst tongued lyrics (matched beautifully by female clean vocals). Without lifting their foot off the pedal for David Comes To Life’s duration, who cares about the storyline when the soundtrack is this good! A rock and roll ride of stratospheric proportions.
Roll on 2012!
Honourable Mentions: Fair To Midland – Arrows And Anchors, You Animals – Crimes Creeps & Thrills, Turbowolf – Turbowolf,
Click here for the top 25 as a Spotify Paylist
>> DoesItRock Albums of 2011 <<
Albums of 2011: 25-11
Dec 31st
Here begins the start of DoesitRock.net’s annual roundup of the greatest albums which have been stuck on our stereos in 2011.
Let the countdown commence!
25) Chickenfoot – III
If you have Joe Satriani as your Guitarist, Marc Anthony on bass and Sammy Hagar as your vocalist, you are bound to produce something special. Vast improvement on their debut, this is about as classic rock as classic rock gets. Big bluesy melodies, Satch wonder solos and this time around, tunes to back them up.
24) Johnny Foreigner – Johnny Foreigner Vs Everything
These brummy indie punks have varied up their tempo’s more willingly on their latest. Rawkus punk rockers mingle with sweet lullaby balladry all with the honest everyman JoFo songwriting that’s so alluring. Everything that’s great about the band on one disc!
23) Amaranthe – Amaranthe
Really…European Power Metal?? That’s was my initial reaction upon compiling this list, but it did not feel right placing it in the Honourable mentions section. This is probably the most addictive metal record of 2011, twin male growls and powerful female vocals line the mammoth avenues of electro-metal. Surprisingly brilliant!
22) Times of Grace – The Hymn Of A Broken Man
Guitarist of metal-core legends Killswitch Engage steps out into the spotlight and into moody melodic territory. This is a superb work of dark sweeping soundscapes, masterful metal riffing and equally beautiful emotive vocals.
21) Rise Against – Endgame
US Political punk torch bearers have yet again created a solid album packed with pop slanted rockers. Soaring chorus lines backed by flaring guitars light up the track list, which never loses its momentum.
20) The Computers – This Is The Computers
The Computers debut album comes hurtling at you like a Punked up Blues-mobile, making one hell of a racket in the process. Snarling, teeth baring punk rock vocals lash against the age old cliffs of blues rock, bringing life and aggression to an age old sound. Each song kicks and screams as it hurtles along with reckless abandon, providing catchy licks at every turn. These riffs and melodies have all been played before mind you, but never quite like this.
19) Twin Atlantic – Free
After their cracking mini album Vivarium, Twin Atlantic unleashed Free, and it’s even better than its predecessors. They write the kind of songs destined to be sung at stadiums across the globe. Their vocalist’s broad Scottish accent only enhances their signature sound, packed with impassioned rock, streaming with melody and kick ass guitars. Song after song of huge hooks and epic chorus lines proved impossible to overlook this year. Free is one of the best Greatest British albums of 2011.
18) Social Distortion – Hard Times and Nursery Rhymes
Taking a vast sidestep from their heritage as leaders of the late 80′s early 90′s punk revolution, Social Distortion creates a cracking straight up American rock album that’s both full of drive and ambition, whilst being true to its roots. Their knack for addictive riffs hasn’t deserted them as this album delivers corking sing-a-longs and rock and roll rippers at every turn!
17) The Answer – Revival
What a fantastic return to form Revival proved for the hard rocking Irishmen. Crammed full of bluesy heritage riffing, stunning vocals and memorable melodies. This rollicking romp of a record became and instant DiR.net hit and has remained that way ever since. The Answer are still on the course walked by the rock greats!
16) Black Stone Cherry – Between The Devil & The Deep Blue Sea
Yes, its ballad heavy, yes they haven’t progressed much…but boy they know how to write a monstrous rock anthem. BTDATDBS shows this in force with wah-wah led White Trash Millionaire, deeply detuned chugger Killing Floor and the debauched party times of Blame It On The Boom Boom. Their softer side has fallen closer to the surface on this record. But through all the mid-tempo’ness there are heartfelt lyrics and brilliant banging choruses prevalent throughout. BSC are back and hitting harder than ever!
15) Bomb The Music Industry – Vacation
These ramshackle punks have finally put all what’s great about their DIY ethos, eclecticism, energy, passion and attitude together into one seamless collection of corking tunes. Flitting from noise rock, to reckless punk outrages, to surf-pop and sweet acoustic tales proves this album has so much to love. Although never ones to truly conform, their slightly poppier vocals this time out have eased their accessibility, thus hiking them up this list with double quick speed.
14) British India – Avalanche
With the UK’s current rock crop going off in all manner of directions (Arctic Monkeys-Snoozeland, Kasabian-Ambience, Kaiser Chiefs-Just Odd!) it was left to these Aussie boys to produce the best pop rocker of 11. This album fizzes and sparks with fuzzed up riffs, soaring chorus lines, thumping drums and ass kicking melodic anthems. A triumph of back to basics skuzzy rock with a true pop heart.
13) The Joy Formidable – The Big Roar
After impressing us early in the year, it was no surprise to see it firmly planted within this years round-up. Their swirling walls of guitar noise offset by the sugary sweet vocals of firecracker front woman Ritzy Bryan provide many beautifully riotous crescendos. With track after track of these huge melodies it’s easy to overlook to fact that there are so many hit singles effortlessly sprawled throughout the track list. Epic Indie Rock!
12) Karma To Burn – V
Although taking Karma To Burn away from their trademark Stoner rock instrumentals large enough to sedate a woolly mammoth, the arrival of Daniel Davies (Son of The Kinks, Dave Davies) has sparked new life into the formula. The addition of vocals, no matter how hazy and spectral have added that extra oomph the band needed to grab attention and never relent its torrid grip. Enormous melodies and some of the most powerful rock this side of ‘Disaster Area’. Prepared to be blown away!
11) Danananaykroyd – There Is A Way
A sad year for these fight poppers as they said farewell to music and parted each their seperate ways. But that doesn’t mean their final album doesn’t live up to the our expectations. Packed with pinging melodies, na na na na’s, intricate guitars and their exhilerating duelling vocal delivery resulted in a fine legacy to one of Britain’s finest live bands.
Stay tuned for the top 10!
Album Review Shorts: Bear Cavalry – Maple Trails
Dec 14th
Short & sweet album reviews that never miss the point…
Bear Cavalry – Maple Trails
Just in case you were feeling down as the days shorten, the nights grow longer and the depths of Winter start to take hold, Bear Cavalry’s latest sampler EP is here to raise the spirits. A surefire summer album which is bursting with multi instrumental vitality, beautifully versatile vocals and melodies to get your calypso on to. These tunes spring with energy and life wildly springing from spiky post punk guitars and African carnival vibes on Custom Hands while the lead track Roman Summer spins intricate melodies sprinkled with electro fizzes and a euphoric chorus. Despite the eclecticism on show, all the elements fuse together well including some unexpected surprises on Will Smith Solves The Rubik’s Cube..sombre verse, trumpet blowing chorus and indie toe tapping disco? Who knew?
There is a lot for the pop fan to love here. A splash of Little Comets shaken with some Kooks on a sandy wash of impulsive guitars will bring a dose of summer rushing right back up the aural canal! A highly promising EP.
