Archive for August, 2018
17th June 2017
It was a blazingly hot afternoon in the hallowed London 2012 Olympic stadium and home of West Ham Utd. The overall buzz levels surrounding this performance were about as high as I’ve known, as the kings of 80’s rock are back with the (almost) classic line-up including the two bitterly divided figures Axl Rose and Slash. This is a reunion (of sorts), the likes of which most people dare not dream would happen. The tour name “Not In This Lifetime” seems to back this up too. Sure, GN’R have been pulling in the Vegas punters for years with the one man Axl Rose parody show, but tonight was the real deal!
Proceedings started off however with the bluesy southern styled rockers Tyler Bryant & The Shakedown. As an unknown entity they showed absolutely no fear in front of this huge ensemble. Strutting about stage their front-man was Steven Tyler-esque (in more than just name) as his hit some fairly difficult high notes, but still soulfully delivered the swagger on slower bluesier numbers. Among the more restrained numbers there were a few arena sized anthems which got the crowd onside. Certainly ones to watch.
Tyler Bryant & The Shakedown
Conversely with hindsight I wish I didn’t have to watch the next set from indie rockers and purveyors of drum driven noise, The Kills. Now I’ve been known to enjoy this duo (No Wow was a particularly good album), but today with a quickly filling cauldron of sweaty hard rockers, they were out of kilter with the fans and thus it mostly fell on deaf ears. The fuzzy guitars just faded into obscurity, the drums mere pitter/patters and vocals yelpy. A most disappointing choice of supporting act.
Guns N’ Roses stepped out of their own fractured shadow as Slash, Axl and Duff all emerged onto the stage to a rapture of adoration.
Guns N’ Roses
Clearly sharpened from his stint fronting Ac/Dc, Axl seemed a true professional tonight and totally in control, considering even turning up on time was an issue a few years ago. His voice was as good as ever and switches effortlessly from his rambling rapid fire verses to high pitched yelps and wails. The highest notes are probably condemned to the archive, but he managed tonight’s bumper set with ease. Flipping from gallivanting around stage to introspective balladry on the grand piano, he was back to his enigmatic best.
The same can also be said of his partner in amplification, the iconic guitar hero, Slash flung his assortment of stunning Les Paul’s around without missing a note of the extended jams and solos which melded tracks together. A particularly standout moment was a stunning instrumental version of Wish You Were Here played between himself and his rhythm partner Richard Fortus.
A fair few covers were thrown in for good measure, “Black Hole Sun” in honour of recently fallen grunge superstar Chris Cornell and a nod to last years appearance in this stadium “Whole Lotta Rosie“. These were alongside more expected output of “Knockin’ On Heaven’s Door” and orchestral swell of “Live & Let Die”
The flamboyance and style with which their played this truly epic set list was remarkable. Despite how OTT it got, the musicianship and rapport with the crowd were perfectly in tune. Yes, it was overblown at times, but this is 80’s hard rock of the highest excess, what else would you expect? A heavy slant was duly given to Appetite For Destruction, but the set picked and selected the best from across their output. The set highlights for me were the glorious solo to November Rain, roof raising Paradise City and weirdly the edgier (Buckethead influenced) riffing of Better.
After so many classic rock anthems, those here in London Stadium rested easy as we boarded the Nightrain back to normal life once more. Escapism at its most finest for 3 glorious hours of amped up euphoria. Even if this is the only time in this lifetime…it was worth it!
So with the first 6 months of 2018 over and the days already starting to get shorter (how is this possible!!), I thought it the right time to pull together a highlight playlist of my favourite jams of the year to date. With a re-ignition of activity here at DiR.net, its about time to do some more sharing, how modern of this aging dinosaur! We’ll see how many of these stick around until the traditional end of year retrospective.
DiR.net: Best of 2018 So Far…
As usual a huge mixed blend of guitar genres on offer covering
- Sharp indie-rock (The Spielbergs)
- Unhinged rock and roll (The Hawkins*)
- 70’s Pop throwbacks with the best band name of recent times (Death By Unga Bunga)
- Dutch manic Pop-Punk/Rock (Tusky)
- Huge Southern Rockers (Black Stone Cherry)
- Youthful diversity (YUNGBLUD, Dead!)
- Scandinavian Melodic Hard Rock/Metal/Pop (Audrey Horne, Mustasch, Spiders, Heavy Tiger*,The Night Flight Orchestra*)
- British Blues (Kris Barras Band)
- Progressive Metal (Caligula’s Horse*)
- Thumping Stoner Rock (Corrosion of Conformity, Black Rainbows)
- Fresh and Modern UK Hard Rock (Fragile Things, Turbowolf, Phil Campbell & The Bastard Sons, Fire Red Empress*)
- Hardcore & Post Punk (Turnstile, The Fever 333)
- Essex Folk anti-hero (Beans On Toast)
- …plus a few more to boot
* Whilst most of these are from 2018 releases I have snuck in a few that slipped my best of 2017 end of year net.