Archive for February, 2013

Albums of 2012: 10 – 1

It’s time to complete the countdown of DoesItRock.nets favourite albums of 2012…

10) The Darkness – Hot Cakes

There was much excitement here at DiR.net when news broke that the brothers Hawkins ‘were gettin’ the band back together’. Live they’re still a hoot, enigmatic and brilliant as ever…but I didn’t expect how good their return LP would be. Yes its cheesy, yes it’s full of glittery glammed guitars but who cares, its The Darkness! Their tongue is still firmly in cheek, but thankfully far from the overly druggy themes of album #2. Hot Cakes is smothered in big fun romps of incredibly catchy guitar fueled genius.

9) Corrosion Of Conformity – Corrosion Of Conformity

This album has been the revelation of the year. Blending both metals deep and sludgy riffs with the angry attack and unrelenting energy of no hold barred punk, CoC have a label unto themselves. Masters of their own genre, this album riffs like a lumbering dinosaur on rocket skates shifting erratically from stoner grooves to thrashed palm muted chugs. The slow/fast dynamic has never been so apparent, or so finely executed within the abundance of cracking heavy rock tunes.

8) Foxy Shazam – The Church Of Rock And Roll

Another DiR.net favourite, the boundless oddity and eccentric songwriting of Foxy Shazam was restrained somewhat on this years gospel themed offering. By anyone else’s standards though, they are still totally bonkers. Assisted by Justin Hawkins on production duties the Darkness man influences the more driving rock tunes here, producing the finest uplifting pop-rockers of the year. Their pop aspect is hugely enjoyable and with a emotional dose of beautiful balladry, this album has much to recommend and explore.

7) Torche – Harmonicraft

It’s been a while in coming, but critics have finally caught up with the point that big rock can be beautiful too! These stoner rockers with progressive ambitions have created both huge and expansive head throbbing titans that have a catchy edge. Strong trippy vocals and lumbering guitars demand your attention, but it’s as they add the pop spice into their concoction, their potent drug of rock pleasure is complete.

6) Orange Goblin – A Eulogy For The Damned

Relentless onslaughts of wave after wave of earthshaking power chords dominate the hard rocking album of the year. These veteran Stoners have crafted a album packed with gigantic melodies, infectious de-tuned riffs which you just want to blast out at 11 obliterating all in their wake. In among the plodding systematic bass lines lie a raft of vengeful vocals and a burning urgency for chaos. Monolithic Stoner rock has had a good year in my books.

5) The Gaslight Anthem – Handwritten

Another album of the highest order has only served to push Gaslight towards becoming the most essential band on the planet. Still burning with passion and pride, Fallon’s lyrics are as beautiful and tale telling as ever bouyed by the driving  yet understated retro guitars. They have carved a good balance here between slow emotive balladry and uplifting road songs with one foot in springsteens shoes to raise the spirits and fists skywards. A great album which both satisfies both old and newcomers alike.

4) Tallest Man On Earth – There’s No Leaving Now

The odd out out in this years top ten comes courtesy of the fantastic folk icon, The Tallest Man On Earth. On this LP he channels a fragility which is both heartbreaking and heartwarming in equal measure. His simple guitar melodies, however low key, are incredibly hard to shake and are iresistably matched to this lo-fidelity record of lyrical and emotive beauty. However nasally, dylan’y and seemingly un-romantic his voice resonates, the delicacy of the fraught verses is in itself an un-expected triumph. An honest and true album of stunning proportions.

3) Halestorm – The Strange Case Of…

In 2013 there was only one lady of Rock and Roll, her name is Lzzy Hale. This powerhouse vocalist and guitar slinger is responsible for some of the most catchy pop rock of the year, some of the biggest rock anthems and definitely some serious girl power attitude. Melodies galore and more sing-a-longs than a cockney pub piano this is a joyous album of high octane guitars and driving attack wrapped in a pop package that’s hard to resist.

2) Japandroids – Celebration Rock

Anthemic indie rockers Japandroids have struck gold with their combo of raw rock power, polished production and ear for a massive chorus. Producing one of the best indie albums for years, these songs set sights for the sky with sweeping reverbed guitars and lo-fi vocals blasted with euphoric bliss. From the first pulsating soaring anthem to the last Celebration Rock is pure quality, all killer, no filler. An A* lesson in indie rock which captures both heart hearts of the pop fans, the passion of the rock acolytes and the minds of the indie crews.

1) Accept – Stalingrad

Heavy Metal!!! Yeah right on, Accept have recreated the glorious 80’s scene with this their second comeback LP without founding vocalist Udo. He is not missed one bit as the guitars let rip with riff after head spinning riff, thundering hooves of melody across this monumental record of unadulterated rock and roll attack. Powerful high pitch vocals and lightning guitars are let fly at every angle taking of string old school grip on your metal head. Epic and colossal, Accept have bridged this hard rocker into trad metal and so rightfully sits proudly on the iron throne of 2012.

Roll on 2013!

Honourable Mentions: Sharks  – No Gods, The Menzingers – On The Impossible Past, Screaming Females – Ugly, Blood Command – Funeral Beach, Coheed & Cambria – The Aftermath: Ascension, Baroness – Yellow & Green


Click here for the top 25 as a Spotify Paylist

>> DoesItRock Albums of 2012 <<


Albums of 2012: 25-11

It has to be said that 2012 was an awe inspiring year for the UK. What with the Queen’s Jubilee and the Olympic Games, national pride and enthusiasm has never been higher (hell… I witnessed a Mexican wave down 2 tube carriages! Unspeakable behaviour !). So it was only fitting that the year also brought with it one of the strongest contests in years to, the bout to be crowned DoesItRock.net’s Album of the Year. A prize to be scoffed at by critics and one loved by fans of honest rock and rollers everywhere.

Let the (slightly delayed) countdown commence!

25) Katatonia- Dead End Kings

Dark and menacing, Dead End Kings is a brooding melodic metal record of the princes of doom. This is a starkly barren soundtrack to a cataclysmic end of the world event, where great waves of guitar noise sweep across the landscape backed by fittingly clean and soulful vocals. It is a superb master class in atmospheric melodies, yet somehow they retain an unexpected accessibility to those less ‘metal’. Often brutal, mostly beautiful.

24) Cancer Bats – Dead Set On Living

Abrasive ranting vocals spit lashings of gravel baked growls, drums thrashes, bass thumps and dirt bag guitars soaring anthems from the underbelly of the rock monster. A gargantuan effort which veers further into hard rock territory than they have before, bringing with it the punk beast who’s still a kickin’ and screamin’.

23) Hot Water Music – Exister

Chuck Ragan has won me over with his solo material, so it was about time he pushed his raggedy vocaled chords back into the punk rock arena. An album packed with standout tunes which are seriously catchy, showing there’s plenty of life in the old dog yet.

22) …And You Will Know Us By The Trail Of Dead – Lost Songs

Reigning in the progressive angles, Lost Songs has struck out on the pure rock sound of AYWKUBTTOD’s earlier releases. Full on face planting into their walls of noise is not uncommon throughout this cathartic and unpredictable release of pent up energy. Oddly unrestrained from the loose binds of prog they have taken up the battle axes and brought us their most edgy and surprising release for years.

21)  Joe Bonamassa – Driving Towards The Daylight

Joe Bonamassa is the new King of the Blues, his latest album showcases everything which makes the man every bit the undisputed bluesman of his generation. Melodies flow effortlessly from his fretboard, vocals of deep heart and emotive soul, slow burning grooves and funky upbeat shuffles all with a country twist thrown in for good measure. Oh did I mention he can play demon guitar. If ever there was another who went down to the crossroads… JB is that man!

20) Jack White – Blunderbuss

Whatever this man touches turns to gold (ignoring The Dead Weather for augments sake) and his first official solo release is no different. A bluesy, country inflected track list of swaggering tunes which swing from pop groove to rawkus retro rock whilst retaining an enigma only Jack White can conjure. His personality flows free lyrically and stays musically true to his vintage sounding ethos. Dramatic and unmissable.

19) Train – Highway 37

A pop rock record, my! my! Yet somehow with every spin a ray of California sunshine brightens the air and fills your life briefly with the kind of roller-skates by the beach, driving down the pacific coast highway kind of carefree optimism, rarely managed by a record (not by the Beach Boys). For this alone they hit the countdown in 2013. A number of pop classics line the track list which only bolsters it’s credentials further.

18) Tenacious D – Rise Of The Fenix

What a fantastic return to form Rise of The Fenix proved for the hard rocking acoustic-men. Crammed full of tongue in cheek lyrics, big riffing and comedic moments. But a chuckle only gets you so far, these tunes are bigger and better, returning to former glories, instantly banishing any ‘Pick of Destiny’ demons with the euphoric opening title track. This rollicking romp of a record is fun and kick-ass, just as we’d all hoped for.

17) The Smith Street Band – Sunshine & Technology

This band’s sound is almost perfectly aligned for me. If Frank Turner hooked up with the Gaslight Anthem and moved to Australia you’d have something very special, in the meantime though The Smith Street Band are a pretty close approximation. Rasping ranting vocals with potent lyrics documenting life the universe and everything from an everyman’s perspective. The lo-fi punk melodies back the spoken verse perfectly, being understated but never forgotten. yet it’s the passionate delivery and chorus’s which shouldn’t work, but do, what make this record stand out from the crowd.

16) Danko Jones – Rock And Roll Is Black And Blue

One of the most underrated Hard Rock bands on the planet. These Canadian ambassadors of no-nonsense guitar, bass, drum, voices with driving punk attitude and succinct songwriting have again produced the goods. Plenty of rousing anthems for long drives, sing-a-long choruses for the shower and fiery riffs for those air guitar moments when no-ones watching. This album is a whole lotta fun, which by not taking its ‘we’re rock’ credentials too seriously, only boost it further. We all know Danko lives and breathes rock and roll anyway.

15) Dinosaur Jr. – I Bet On Sky

For the third album in a row since their reformation, Dino Jr. produce a brilliant collection of rough around the edges, fuzzed up indie rock numbers. Plenty of pop melodies maintain focus on the slacked vocals and songwriting rather than the master guitar work of J. Mascis, which as ever is totally mesmerizing!

14) Fighting With Wire – Colonel Blood

FWW aren’t messing about upon their long overdue return. Colonel Blood is packed with big mainstreamed rock numbers brimming with infectious sing-a-long choruses and nifty guitar licks, its hard not to let them embed in your head. Song for song, these guys would give the Foo’s a good run for their money… straight laced fist pumping rock and roll for the masses.

 

13) Pulled Apart By Horses – Tough Love

DiR.net favourites are back and still have plenty of energy to burn. PABH clearly do not like to be tamed in the studio, hence this record sounds like the band going bat-shit, crashing every ounce of blazing rawkus energy into each guitar freak-out or throaty howl. Short sharp songs with minimal lyrics aping both punk’s abandon and heavy metal’s epic riffing. Not to be missed live!

12) Killing Joke – MMXII

For all their back catalogue, this release is the first Killing Joke album to set these ears a wagging. Deep booming bass lines, and sedate atmospheric guitars dominate the bleak industrial backed wasteland vision of MMXII. Only the walls which suddenly blast into euphoric waves of noise provides any sense of escapism. Its this thunderous meld of electro-keys, menacing guitars and robotic drone vocals which transports to another world, one dominated by the impending of total annihilation. Dark, emphatic and unmissable.

11) Million Dollar Reload – A Sinner’s Saint

Exuberance, energy and enthusiasm…everything a fresh hard rock band should be striving for can be found on A Sinner’s Saint. This Northern Irish Sleaze/Punk influenced bunch have the attitude for chaos, the canny knack for pop melodies, the ability to pull off a decent ballad and pen some epic driving rock anthems. A solid sophomore which has really grabbed my attention by the scruff of the neck and doesn’t look like relenting anytime soon.

Stay tuned for the top 10!